Bad Habit Sheet Music Preview

Bad Habit: Piano/Vocal/Guitar

Words and Music by DIANA GORDON, MATTHEW CASTELLANOS, JOHN KIRBY, BRITTANY FOUSHEE and STEVE LACY

Item: 00-PS-0016722

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Description
"Bad Habit" by Steve Lacy, released as the second single from his second studio album, Gemini Rights, on June 29, 2022.

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SKU: 00-PS-0016722

More about this title

About the Composer: Diana Gordon

Diana Gordon is a songwriter and producer who has contributed to some of pop music's most recognizable tracks. Her work spans multiple genres and formats, demonstrating a strong ear for melody and lyrical clarity that translates well across different arrangements and instrumental settings.

Why we love this

This contemporary pop hit gives singers and pianists a chance to work with music that already lives in their students' ears. The arrangement captures the track's infectious groove while remaining accessible for intermediate players who want to perform repertoire that feels relevant and current.

What to expect

Catchy and modern, with a groove that sits comfortably in the pocket. The track balances accessible melody with sophisticated production sensibility, creating a sophisticated pop sound that feels both radio-friendly and intimate.

Who it's for

Intermediate to advanced vocalists and pianists who want to perform contemporary repertoire. This arrangement works well for singers looking to expand their performance portfolio beyond traditional standards and for pianists seeking rhythmically engaging accompaniment work.

How to get the most out of it

  • Pay attention to the rhythmic pocket. The groove relies on precise timing between the vocal line and piano accompaniment, so lock the rhythm section early in rehearsal.
  • Explore the production's minimal aesthetic. Resist over-playing the piano part; the strength of this arrangement comes from restraint and clarity.
  • Work the vocal phrasing for conversational delivery. This song lives in the space between sung and spoken, so aim for a natural, intimate vocal approach rather than theatrical projection.

How to use it

Include this in a recital devoted to contemporary pop or modern singer-songwriter material. It pairs naturally with other current hits or can anchor a set that spans classical standards and present-day repertoire, showing the range of your program.

Skills your students will build

  • Reading and performing contemporary pop rhythm notation
  • Interpreting rhythmic swing and pocket in modern music
  • Balancing vocal intimacy with accompaniment clarity
  • Coordinating vocalist and pianist entrances and phrasing in a groove-based arrangement

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