Bach: Three-Part Inventions (Ed. Hans Bischoff): Piano Book
By Johann Sebastian Bach / ed. Hans Bischoff
Item: 00-PK-0002769
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Description
This newly engraved edition will be very useful to all piano students and teachers. A necessary step to prepare for the Preludes and Fugues.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Bach: Three-Part Inventions (Ed. Hans Bischoff): Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Kalmus Edition
Publisher:
Alfred Music
Page Count:
36
SKU:
00-PK-0002769
More about this title
About the Composer: Johann Sebastian Bach
Johann Sebastian Bach (1685, 1750) composed the Three-Part Inventions as pedagogical works designed to develop independent voice leading and contrapuntal thinking in young keyboard players. Written during his time in Weimar and Cöthen, these 15 pieces bridge the gap between basic keyboard facility and the intellectual demands of his more complex fugal writing.
Why we love this
These inventions occupy a crucial place in the piano curriculum: substantial enough to teach genuine contrapuntal thinking, yet bounded in scope so students can grasp complete musical architecture. The Bischoff edition provides clear, thoughtfully prepared scores that honor Bach's counterpoint without unnecessary editorial intrusion, making them ideal preparation for the intellectual demands of the Preludes and Fugues.
What to expect
Bach's three-part inventions balance intellectual rigor with genuine lyrical beauty. Each piece unfolds like a conversation between three independent voices, where clarity and articulation reveal the architecture rather than obscuring it.
Who it's for
Intermediate to advanced piano students preparing for Bach's larger keyboard works and those building foundation in Baroque counterpoint. Teachers seeking a carefully engraved, reliable edition of these essential pedagogical pieces will find this Kalmus version straightforward and practical for studio instruction.
How to get the most out of it
- Cultivate independence between the three voices by practicing each line separately first, then combine two voices before bringing in all three.
- Listen for the subject and its transformations throughout each invention; tracking where the theme appears helps clarify the texture and prevents muddy legato.
- Maintain a steady harmonic foundation in the middle voice while the outer voices explore motivic material, particularly in passages where the bass sustains longer notes.
- Shape phrases by breath and cadence rather than by hand position; let the harmonic rhythm guide your phrasing decisions.
How to use it
Assign inventions sequentially throughout a student's year as stepping stones toward more ambitious Bach repertoire. A recital of two or three contrasting inventions demonstrates command of Baroque counterpoint and serves as an ideal program opener before more Romantic-era works.
Skills your students will build
- Independent voice-leading with three distinct melodic lines
- Recognition and development of subject matter through inversion, transposition, and augmentation
- Articulation and touch differentiation across registers
- Harmonic analysis of Baroque voice-leading and cadence formation
- Sustained focus on clarity and structural coherence without pedal support