Baby Sheet Music Preview

Baby: Marching Band Conductor Score & Parts

Words and music by Terius Nash, Christopher Stewart, Christine Flores, Christopher Bridges, and Justin Bieber / arr. Victor López

Grade: 2.5 (Medium Easy)

Item: 00-PK-0007969

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Description
Teen singing sensation Justin Bieber had a 2010 hit with this catchy pop tune. Victor López has crafted a very playable yet full-sounding arrangement that will come together quickly.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Baby: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 110
SKU: 00-PK-0007969

More about this title

About the Composer: Terius Nash

Terius Nash, known professionally as The-Dream, is a Grammy-winning songwriter and producer who shaped the sound of contemporary pop and R&B over the past two decades. His work on Justin Bieber's "Baby" exemplifies his gift for crafting infectious melodies and memorable hooks that connect with young audiences worldwide.

Why we love this

Victor López's arrangement captures the energy and catchiness of the original without demanding extensive rehearsal time, making it ideal for bands looking to program current music that engages both students and audiences. The Grade 2.5 level ensures accessibility across mixed ability sections while maintaining the full, polished sound that makes this tune instantly recognizable.

What to expect

Energetic and rhythmically driven, "Baby" moves with the infectious bounce that made the original a global phenomenon. The arrangement balances contemporary pop sensibility with marching band color and dynamics, creating a performance that feels both current and musically satisfying.

Who it's for

This arrangement serves marching bands of mixed ability levels seeking accessible, contemporary repertoire that generates audience enthusiasm. Directors programming pop music will find a piece that comes together quickly without sacrificing musicality or sound quality.

How to get the most out of it

  • Keep the pop sensibility front and center; resist the urge to over-articulate or march too stiffly. The arrangement thrives when it sounds effortless and grooves.
  • Lock the rhythmic foundation early with your percussion section and low brass, then layer in the melodic and harmonic voices. A solid internal pulse makes the whole band tighter.
  • Balance the lead melody against the supporting sections. Since this is an arrangement of a vocal hit, ensure whoever carries the main line has enough projection without drowning out the supporting voices.

How to use it

Program this during a pop or contemporary music segment of your concert to showcase the band's versatility and connection to current culture. The quick preparation time makes it especially valuable for bands juggling multiple rehearsal goals or adding a crowd-pleasing finale to a full-length program.

Skills your students will build

  • Playing syncopated rhythms in a pop/contemporary idiom
  • Balancing melody and accompaniment in a thin arrangement
  • Responding to groove-based conducting that emphasizes pulse over traditional meter
  • Sustaining energy and articulation in a style outside traditional classical repertoire

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