Baba Yetu (from Civilization IV) (arr. Robert Longfield) Sheet Music Preview

Baba Yetu (from Civilization IV) (arr. Robert Longfield): String Orchestra Conductor Score & Parts

By Christopher Tin / Arranged by Robert Longfield

Grade: 3-4

Item: 35-PK01103202

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$60.00

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Description
The well-known melody from the video game "Civilization IV" is exquisitely captured in this G major string orchestra arrangement by Robert Longfield. Based on a Swahili translation of the Lord's Prayer, this arrangement is simplified enough to make it accessible while retaining the intricate rhythms of the original. Your students will love playing this infectious tune, which was the first piece of video game music to receive a Grammy!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK01103202

More about this title

About the Composer: Christopher Tin

Christopher Tin

Christopher Tin earned his compositional credentials at Stanford and Oxford before completing an MMus with Distinction at the Royal College of Music in London, where he won the Horovitz Composition Prize. His career spans film, television, video games, and advertising, drawing on his multicultural background (California-born, Chinese heritage, British education) to create music marked by lyrical invention and dramatic clarity.

Why we love this

Tin's original composition already made history as the first video game music to win a Grammy. Longfield's string arrangement distills the piece down to its essential melodic and harmonic core without sacrificing the rhythmic vitality that made it memorable in the first place. Your students will recognize it immediately, which means they'll invest in the performance from day one.

What to expect

Serene and expansive, with an undercurrent of reverence. The G major tonality feels open and luminous, and the piece moves with an unhurried grace that invites the listener inward rather than overwhelming them.

Who it's for

Developing string orchestras at the intermediate level looking for repertoire with immediate appeal and genuine substance. This works equally well for programs seeking accessible material that doesn't sacrifice musical integrity or directors building a concert around film and game music.

How to get the most out of it

  • Balance the main melody against inner voices carefully; the accompaniment figures in the inner strings drive the forward motion and shouldn't be buried.
  • Shape phrases with long, connected bow strokes rather than articulating every note, which helps capture the singing quality of the original.
  • The Swahili text underlying the melody gives it a spiritual gravity; let that inform your tempo and dynamic contours rather than treating it as a light novelty arrangement.

How to use it

Consider pairing this with other film or game music to create a thematic concert, or program it as a thoughtful interlude between heavier repertoire. It also works beautifully as a closer to a concert celebrating world music or cultural diversity.

Skills your students will build

  • Sustaining long melodic lines with even tone and intonation across multiple measures
  • Balance and blend in four-part string writing
  • Reading and executing rhythmic figures that complement rather than duplicate the main melody
  • Understanding cultural and spiritual context in music composition

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