Away We Go: Bassoon Book

The First Division Band Course remains one of the most pedagogically sound supplementary series available, and this bassoon book gives your reed section engaging material that reinforces concepts introduced in full-band scores. Erickson's writing for bassoon sits comfortably in the instrument's range while requiring deliberate phrasing and articulation work that strengthens players' command of their part.

These arrangements balance straightforward rhythmic clarity with opportunities for expressive playing, creating a satisfying blend of technical exercise and genuine musicianship. The material sits comfortably within the bassoon's range, allowing players to concentrate on tone production and phrasing rather than negotiating awkward register shifts.

This book serves bassoonists in concert bands working at the early-intermediate level who need targeted repertoire that builds foundational skills without oversimplifying musical content. It pairs well with players who are comfortable reading concert band scores and ready to develop independence within the section.

• Shape longer phrases by varying your air support rather than relying on dynamic markings alone; this builds breath control and expressive maturity.
• Balance your tone between the upper and lower registers by adjusting embouchure firmness slightly as you move across the passaggio; consistency matters when paired with other reed voices.
• Mark your part with breath points and fingering challenges before rehearsal so you can focus on ensemble blend and style during band rehearsals.

Integrate selections from this book into rehearsals focusing on reed section work or use complete pieces as fillers on concert programs that feature larger First Division Band Course selections. The 20-page collection offers enough variety to support a full season of sectional warm-ups and solo features for strong players.

• breath control and phrase shaping in longer lines
• register balance between upper and lower staves
• articulation clarity in varied musical contexts
• independent reed section voicing within ensemble texture
• tone consistency across dynamic range