Away in a Manger: String Orchestra Conductor Score & Parts
By Chip Davis / As performed by Mannheim Steamroller / Arranged by Robert Longfield
Grade: 3-4
Item: 35-PK00117033
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Away in a Manger - Full Score | $6.00 | |
| Away in a Manger - Violin 1 | $7.00 | |
| Away in a Manger - Violin 2 | $7.00 | |
| Away in a Manger - Violin 3 (Viola Treble Clef) | $7.00 | |
| Away in a Manger - Viola | $7.00 | |
| Away in a Manger - Cello | $7.00 | |
| Away in a Manger - Bass | $7.00 | |
| Away in a Manger - Piano | $7.00 | |
| Away in a Manger - Percussion | $7.00 |
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About the Composer: Chip Davis
Chip Davis is the founder and driving force behind Mannheim Steamroller, a group that redefined how classical music reaches popular audiences. His arrangements blend recognizable melodies with lush orchestrations and infectious rhythmic energy, making concert music accessible without sacrificing musicianship.
Davis's work in adapting traditional material for modern ensembles has influenced how music educators approach holiday programming and classical crossover repertoire. His pieces consistently engage student musicians because they combine technical challenges with melodic hooks that feel immediately satisfying to perform.
Why we love this
This arrangement captures what makes Mannheim Steamroller distinctive: a fresh take on familiar material that keeps students genuinely interested in playing it. Robert Longfield's adaptation sits perfectly at the grade 3-4 level, neither oversimplifying the original concept nor overwhelming young players with complexity.
What to expect
Warmth infused with contemporary energy. The carol's gentle foundation remains intact, but the Mannheim Steamroller treatment adds rhythmic propulsion and harmonic color that makes the piece feel both timeless and fresh. It's the sound of a carol reimagined for ears accustomed to modern production.
Who it's for
String orchestras at the intermediate level looking for holiday material with genuine musicality and modern appeal. Directors who want their students playing something that sounds polished and contemporary rather than dated or generic.
How to get the most out of it
- Lock in the rhythmic groove early in rehearsals. The pop sensibility of this arrangement depends on steady, confident pulse from the rhythm section, so isolate and drill those foundational measures first.
- Shape the melodic "hook" with dynamic clarity. This is the element that students remember and audiences recognize, so bring it forward through careful voicing and consistent articulation across your violin section.
- Balance the accompaniment texture so it supports rather than competes with the tune. String orchestras can easily muffle the main line if inner voices aren't carefully managed.
How to use it
This works as a centerpiece in a holiday concert, especially when you want to showcase how classical melodies thrive in contemporary arrangements. It also serves as an effective programming bridge between traditional and modern repertoire, drawing audiences who might not typically attend classical concerts.
Skills your students will build
- Maintaining steady rhythmic pulse in a pop-influenced context
- Balancing accompanimental texture with melodic foreground
- Executing articulation that serves groove rather than classical phrasing
- Ensemble cohesion across string sections with varying rhythmic responsibilities