Awaken Sheet Music Preview

Awaken: SAB Choral Octavo

By Sherry Blevins

Item: 35-DS01439165

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$4.60
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 19
SKU: 35-DS01439165

More about this title

About the Composer: Sherry Blevins

Sherry Blevins

Sherry Blevins has established herself as a prolific composer and educator whose work spans concert halls, all-state honor choirs, and international festivals. Since 2018, she has placed more than 27 compositions with major publishers including Alfred Music, Hinshaw, and Fred Bock, earning recognition from peers like Vincent Oakes, former ACDA Southern Region President, who praises her gift for "beautifully crafted melodies, tuneful harmonies, and supportive accompaniments."

Beyond writing for established ensembles across the United States and abroad, Blevins has pioneered collaborative composing projects with student choirs. In 2023 alone, she co-composed seven works with middle and high school singers in Charlotte-Mecklenburg Schools, each piece reflecting the voices and identities of its student collaborators. Her roles as clinician, adjudicator, and conductor have positioned her work within the actual teaching and learning spaces where music matters most.

Why we love this

Blevins writes SAB voicing that sounds full and integrated rather than compromised. The three-part framework opens up opportunities for singers with limited ensemble experience or smaller choirs to access repertoire with genuine musical substance. Her ear for melody and harmony balance means your singers spend rehearsal time on interpretation and connection, not battling a part that sits awkwardly.

What to expect

Awaken carries the title's sense of arrival and realization. The music unfolds with clarity and purpose, drawing listeners and singers into a moment that feels both intimate and communal.

Who it's for

SAB choirs at the middle school, high school, or community level seeking concert repertoire with musical depth. Directors who value accessible voicing without sacrificing compositional craft will find this a natural fit for singers still building secure part-reading skills or for ensembles with uneven voice distribution.

How to get the most out of it

  • Bring attention to where voices overlap or trade material. SAB writing often creates moments where parts mirror each other; these transitions reward careful listening in rehearsal and create textural clarity in performance.
  • Let the accompaniment anchor your tempo and phrasing early on. Work backwards from the recorded version to understand Blevins' intended rubato and where the music breathes.
  • Invest in vowel consistency across all three parts, especially in unison or near-unison passages. The writing's strength depends on hearing the whole choir as one unit where sections blend.

How to use it

Position this as a centerpiece for a concert devoted to contemporary sacred or secular choral works. At 19 pages, it commands attention without overwhelming a program, making it ideal for a spring or fall concert where you want to feature one substantial piece alongside lighter selections.

Skills your students will build

  • Singing balanced three-part harmony with independence within each voice
  • Maintaining phrase shape and intention across sectional divides
  • Responding to and interpreting stylistic cues in contemporary choral writing
  • Building confidence in part-reading through accessible but musically mature voicing

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