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Ave Maria: Brass Quintet Score & Parts

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Ave Maria Cover Image

Ave Maria: Brass Quintet Score & Parts

By Anton Bruckner / arr. David Marlatt

Level: Medium

Item: 81-BQ27270

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Description
This is the most popular and often performed setting by Bruckner. When this work was written Bruckner had just finished a five year course of contrapuntal study during which he was forbidden to write any "free" compositions. With this restriction lifted, he wrote this simple yet powerful motet. It has been arranged here for quintet and organ.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462003013
SKU: 81-BQ27270
Instrumentation: Brass Quintet & Organ

More about this title

About the Composer: Anton Bruckner

Anton Bruckner (1824-1896) was an Austrian composer and organist whose nine symphonies represent some of the most ambitious works of the Romantic era. He spent much of his career as a church musician and professor of composition in Vienna, bringing deep liturgical understanding to his sacred works. Bruckner's compositional voice emerged from rigorous contrapuntal training; he undertook a demanding five-year course in formal composition study during which he was restricted to academic exercises. When that restriction lifted, Ave Maria became one of his first freely composed works, revealing how thoroughly his training had shaped his musical thinking.

Why we love this

This arrangement captures the essence of Bruckner's motet while giving brass players authentic access to one of the repertoire's most enduring sacred works. The medium difficulty level makes it achievable for developing quintets without compromising the spiritual weight and contrapuntal sophistication of the original. Programming it offers your ensemble a work that commands respect from audiences and adjudicators alike, while the addition of organ creates a rich, liturgical texture that elevates any concert.

What to expect

The motet unfolds with quiet majesty and introspective beauty, drawing on Bruckner's gift for blending individual voices into a unified harmonic vision. The organ accompaniment bathes the brass writing in warm, ecclesiastical color, creating an atmosphere that feels both intimate and transcendent. This is music that speaks to something beyond technique; it demands reverence from players and listeners alike.

Who it's for

This arrangement serves brass quintets at the medium level who are ready to tackle serious chamber repertoire with a spiritual dimension. It works equally well for quintets seeking festival or contest material and for ensembles wanting to expand beyond secular programming into sacred music that genuinely resonates.

How to get the most out of it

  • Maintain steady breath support throughout the longer phrases; Bruckner's lines often span multiple measures, and breathe only at marked rests to preserve the work's contemplative flow.
  • Balance the inner voices carefully with the organ part. The accompaniment should never obscure the brass voices, so coordinate with your organist on registration and dynamic control.
  • Shape phrases with long-range direction rather than bar-to-bar phrasing. Think of the motet as unfolding across entire sections, which will help the work breathe liturgically.
  • Pay attention to the harmonic rhythm and voice leading; Bruckner's counterpoint demands precise intonation, especially in close intervals where tuning lapses become immediately apparent.

How to use it

Pair this with other sacred works for a thematic concert around liturgical or contemplative music, or program it as a centerpiece that gives weight and purpose to a mixed brass quintet recital. The medium length and reverent character make it an excellent choice for festival adjudication, where it demonstrates musical maturity and interpretive depth.

Skills your students will build

  • Sustaining long, shaped phrases across multiple measures
  • Balancing multiple independent melodic lines in close harmony
  • Intonation in dense harmonic textures
  • Interpreting liturgical and sacred musical language
  • Collaboration with keyboard accompaniment

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