Autumn Sunset Cover Image

Autumn Sunset: Piano Sheet

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Autumn Sunset Cover Image

Autumn Sunset: Piano Sheet

By George Peter Tingley

Level: Early Intermediate

Item: 00-5455

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Description
The harvest scene on the cover is reflected in the subdued, flowing melody of this early intermediate piece in 6/8 meter. The piece alternates between G major and C minor harmonies and ends slowly and quietly with the right hand crossing over the left.

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Additional Details
Publisher: Alfred Music
Page Count: 4
UPC: 038081024530
SKU: 00-5455

More about this title

About the Composer: George Peter Tingley

George Peter Tingley

George Peter Tingley grew up in Oakland, California, where he began violin at age four before switching to piano at ten. He taught himself much of his musical foundation by playing along with records during his teenage years, a practice that shaped his ear and compositional voice. Tingley earned a B.A. in Piano Performance from California State University, Hayward, and both Bachelor and Master degrees in Music Theory from the University of Southern California. In the 1970s, he studied composition privately with Nadia Boulanger in Paris.

Based in Point Richmond, California, Tingley has been a private piano teacher and composer for decades. Since 1989, he has focused on writing for music education, publishing over 75 piano pieces. His work includes the widely recognized solo Reverie (Alfred, 1991) and the teacher-student duet collection Fiddle and the Tuba, which appears in the National Federation of Music Clubs bulletin. He also composed Kristi's Theme for Olympic figure skater Kristi Yamaguchi, a piece later arranged for full orchestra and recorded with Tingley as piano soloist.

Why we love this

Tingley captures seasonal atmosphere with real harmonic sophistication, pairing the G major to C minor shift against a 6/8 meter that feels both flowing and introspective. The hand-crossing finale is a graceful technical moment that rewards student pianists without overshadowing the piece's contemplative character. This is the kind of early intermediate work that feels complete in itself, not like a stepping stone.

What to expect

The piece unfolds like an autumn afternoon slipping into evening, the melody moving gently within a shifting harmonic landscape. The contrast between G major warmth and C minor introspection mirrors the season's melancholy beauty, culminating in a quiet, intimate moment where the hands exchange voices in the final measures.

Who it's for

Early intermediate pianists ready to work with key modulation and nuanced meter feel. This piece suits students who respond to impressionistic language and seasonal imagery, and who benefit from repertoire that combines technical growth with emotional storytelling.

How to get the most out of it

  • Shape the melody with gentle rubato in the flowing passages, allowing the 6/8 meter to breathe naturally rather than metrically rigidly
  • Give the C minor sections a noticeably quieter dynamic than the G major material to highlight the harmonic shift and reinforce the subdued mood
  • Practice the hand-crossing section slowly and deliberately, ensuring the right hand's motion is smooth and the voicing remains balanced across the registers
  • Approach the closing quietly and spaciously, using pedal restraint to keep the final measures transparent as they fade

How to use it

Program this in a fall recital or as part of a seasonal concert that showcases pianists at various levels. It pairs well with other impressionistic or character pieces and works especially effectively as a closer or transitional moment between larger works due to its intimate scale and contemplative ending.

Skills your students will build

  • Harmonic contrast and voice leading between major and minor tonalities
  • Phrasing and rubato within 6/8 meter
  • Hand independence with right-hand-over-left crossing technique
  • Dynamic control and pedaling for atmospheric effect

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