Auld Lang Syne Cover Image

Auld Lang Syne: Brass Quintet Score & Parts

$15.00 USD
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Auld Lang Syne Cover Image

Auld Lang Syne: Brass Quintet Score & Parts

Traditional / arr. Ryan Meeboer

Level: Medium

Item: 81-BQ225600

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Description
The classic New Year's Eve tune Auld Lang Syne is arranged here in three different styles for your ensemble to choose from: Traditional (Rock Ballad), Swing and Bossa. Each version starts with a short introduction and moves into the main melody of the song using using unison rhythms with lush harmonies. The Bossa and Swing versions include written solos, but chords are included if improvised solos are preferred. Optional Drum Set part is included.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77893-187-1
ISBN13: 978-1-77893-187-1
UPC: 685462031887
SKU: 81-BQ225600

More about this title

Why we love this

Ryan Meeboer gives you genuine flexibility here. Three distinct stylistic takes on one familiar melody means you can program this once and create three completely different moods depending on your ensemble's strengths and your concert needs. The Bossa and Swing versions strike a careful balance between written solos and space for improvisation, so whether your quintet reads lead sheets or prefers a fully notated line, you have a clear path forward.

What to expect

Three different parties in one package. The Traditional Rock Ballad setting carries reflective weight suitable for New Year's introspection, while the Swing version swings with crisp articulation and vintage charm. The Bossa brings a warm, sophisticated Latin groove that transforms a Scottish folk tune into something contemporary and elegant.

Who it's for

Brass quintets looking to expand their New Year's repertoire beyond straight traditional arrangements, or any group wanting to demonstrate their stylistic range and comfort with jazz inflections in a single, crowd-friendly package. This works for ensembles with some rhythmic maturity and at least one musician experienced with swing or Latin feel.

How to get the most out of it

  • Unify the introductions across all three versions by establishing a consistent touch and articulation in rehearsal before moving to the versions themselves. This preparation pays off when transitions between arrangements feel intentional rather than abrupt.
  • Lock the harmonic movement during the unison rhythmic passages. Block chords by voice before running the full texture, so the lush harmonies sit together cleanly rather than sounding layered.
  • Treat written solos as starting points for conversation. Even if you keep the notation intact, discuss phrasing and space with your soloists so the line breathes naturally within the style.
  • If using the optional drum set part, rehearse it with just the rhythm section first (drums and bass voice) to anchor the groove before adding the full quintet back in.

How to use it

Close a New Year's concert with all three versions played back-to-back, creating a mini-suite that shows off your ensemble's versatility and keeps the familiar melody fresh for your audience. Alternatively, program just one version as a palate cleanser between heavier contemporary works, since the tune's universality allows it to bridge different repertoire on a single concert.

Skills your students will build

  • Stylistic interpretation across Traditional, Swing, and Bossa idioms
  • Reading and executing swing rhythms with proper articulation
  • Playing lush harmonic textures while maintaining rhythmic precision in unison passages
  • Lead sheet reading and improvisation skills (Swing and Bossa solos)
  • Ensemble balance and blend in four-part harmony writing

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