Audite Nova Sheet Music Preview

Audite Nova: SATB Choral Octavo

As performed by Orlandus Lassus / Arranged by Anthony Petti

Item: 35-DS00366800

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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00366800

More about this title

About the Artist: Orlandus Lassus

Orlandus Lassus (c. 1532–1594) stands among the most prolific and versatile composers of the Renaissance, having created over 2,000 works across nearly every genre of his era. His career took him from Italy to England to the Bavarian court, where he served as Kapellmeister and composed for both sacred and secular contexts with equal mastery. His secular works, including motets and choral pieces, showcase the wit, harmonic sophistication, and emotional directness that made him influential across Europe and essential to any study of Renaissance polyphony.

For singers today, Lassus remains a gateway into Renaissance technique. His pieces reward careful attention to text underlay, encourage ensemble listening across all four voices, and demonstrate how expressive language and musical form work together. Teachers value his work because it challenges singers without overwhelming them, and because his melodies tend to sit naturally in the voice.

Why we love this

Anthony Petti's arrangement respects the contrapuntal elegance of the original while making it accessible to mixed choirs that may be less experienced with Renaissance polyphony. The four-page format means it's manageable to learn quickly, yet the piece offers enough musical substance to hold interest through multiple rehearsals and performances. This is a smart choice when you need something that sounds substantial without demanding months of preparation.

What to expect

Audite Nova carries the bright elegance of Renaissance secular writing, with voices weaving in and out of focus like an early musical conversation. The piece balances contrapuntal wit with moments of harmonic clarity, inviting singers into the intimate detail of Renaissance polyphony without the demands of a full motet.

Who it's for

Mixed SATB choirs with solid sight-reading skills and some exposure to Renaissance music will find this piece both rewarding and achievable. It works equally well for community choruses, college ensembles, or advanced high school groups looking to build their early music repertoire.

How to get the most out of it

  • Balance the parts by listening vertically rather than horizontally. Each voice carries melodic importance in Lassus, so resist the habit of letting sopranos dominate; tune your chords by ear in rehearsal.
  • Shape phrases through text rather than arbitrary breath marks. Let the words' natural rhythm guide your line, and avoid the modern habit of leveling everything to a metronomic pulse.
  • Sit with the harmonic progression in this piece. Lassus uses unexpected sonorities that sound fresh when given a moment to register; don't rush through cadential moments.

How to use it

Pair this with other Renaissance or contemporary choral works to build a thematic concert around dialogue and conversation in music. It also serves as an excellent teaching piece mid-year when your singers have developed enough ensemble skill to handle the independence this piece requires, and short enough to fit alongside larger works on a spring concert.

Skills your students will build

  • Renaissance polyphonic texture and voice independence
  • Text-driven phrasing and expression in early music
  • Harmonic listening and intonation in four-part writing
  • Latin pronunciation and text clarity across moving lines

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