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Audio Recording Basic Training: Pro Audio Textbook & DVD-ROM

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Audio Recording Basic Training Cover Image

Audio Recording Basic Training: Pro Audio Textbook & DVD-ROM

The Hands-On Survival Manual for Musicians

By Bobby Owsinski

Item: 00-38882

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Description
If you're new to recording and don't know where to begin, or your recordings aren't as good as you'd like them to be, Audio Recording Basic Trainig is here to help. Built around a series of hands-on recording exercises designed to show you how to listen and work like a recording pro, best-selling author Bobby Owsinski reveals the tips, tricks, and secrets to all the different facets of recording---including miking a drum kit, recording vocals, and miking just about any electric or acoustic instrument. See how the pros handle setting up a headphone mix, build a rough mix, and use compression and equalization to make their recordings sing. Learn where, when, why, and how to mic virtually any instrument, and become proficient at finding the right place in the room to record. The book also features an accompanying DVD-ROM filled with lessons specifically developed to take your recording chops to the next level.

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Additional Details
Series: Boot Camp
Publisher: Alfred Music
Page Count: 160
ISBN10: 0-7390-8600-6
ISBN13: 978-0-7390-8600-1
UPC: 038081431901
SKU: 00-38882

More about this title

About the Author: Bobby Owsinski

Bobby Owsinski is a multi-Grammy-winning engineer, producer, and author whose career spans decades of work in professional recording studios and live sound environments. He has become one of the most prolific writers on audio engineering and music production, with a gift for translating complex technical concepts into accessible, practical instruction for learners at every stage.

Why we love this

This textbook cuts through the overwhelm of home recording and studio setup by grounding every concept in hands-on exercises rather than theory alone. The included DVD-ROM transforms abstract recording principles into visual, step-by-step demonstrations that stick with students long after they've finished reading.

What to expect

This resource demystifies the recording booth. You move from guessing about microphone placement to understanding the actual physics and aesthetics of capturing different instruments. It feels like apprenticing with an experienced engineer who explains not just what to do, but why.

Who it's for

This resource serves recording engineers and producers building foundational skills, as well as music educators and students who want to understand how to capture clean, professional-quality recordings of ensembles, soloists, or compositions. Anyone frustrated with subpar home recordings or unsure where to start with microphone placement and mix setup will find concrete, immediately applicable guidance.

How to get the most out of it

  • Use the DVD-ROM lessons in real time while working in your own recording environment; pause and practice each technique before moving forward.
  • When miking drums or instruments, apply the room acoustics principles from the textbook to your actual space first, then adjust mic placement incrementally rather than moving equipment randomly.
  • Reference the compression and equalization chapters while tracking or mixing; keep the specific instrument examples nearby as you work so you can hear exactly what the text describes.

How to use it

Integrate this into audio engineering electives, music technology courses, or independent study for students interested in recording their own performances or documenting ensemble work. The practical miking and mixing sections work well as reference material for student-run recording projects or class sessions on capturing quality demos.

Skills your students will build

  • Microphone placement techniques for drums, vocals, and acoustic instruments
  • Headphone mix setup and monitoring
  • Compression and equalization applications
  • Room acoustics assessment and recording environment optimization
  • Rough mix construction and audio balance
  • Critical listening and ear training for recording quality

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