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Attack of the Killer Tomatoes: Jazz Ensemble Conductor Score

$10.00 USD

Attack of the Killer Tomatoes: Jazz Ensemble Conductor Score

Name: Attack of the Killer Tomatoes: Jazz Ensemble Conductor Score
Brand: Alfred Music
SKU: 00-JEM05022C
Price: 10.00 USD
Availability: InStock

By John Debello / arr. Gordon Goodwin

Grade: 5 (Advanced / Difficult)

Item: 00-JEM05022C

$10.00

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Think of it as turbo-charged musical tongue-in-cheek Gordon Goodwin style. Based on the theme from the movie Attack of the Killer Tomatoes, the theme has been developed per Gordon's usual amazing ability. This chart demands a strong bass trombone player. Solo space for alto, tenor, and trombone. Score calls for soprano sax double in lead alto part and flute and piccolo in 2nd alto part (could be transposed), and two auxiliary percussion parts. As recorded on the newest CD by Gordon Goodwin's Big Phat Band, The Phat Pack on Silverline Records. A very clever and exciting chart! (excerpt 1:02) This title is available in MakeMusic Cloud.

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Series: Gordon Goodwin Series

Publisher: Alfred Music

Page Count: 28

UPC: 654979091387

SKU: 00-JEM05022C

More about this title

About the Composer: John Debello

John Debello is best known for directing and co-writing the 1978 cult film Attack of the Killer Tomatoes, a campy science fiction comedy that has entertained audiences for decades. His work in film comedy demonstrates a gift for absurdist humor and creative storytelling that translates remarkably well into the musical sphere through Gordon Goodwin's arrangement.

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Why we love this

Gordon Goodwin's arrangement transforms a campy movie theme into a sophisticated big band vehicle that bristles with energy and humor. The writing showcases his signature ability to balance comedic intent with genuine jazz chops, demanding real musicianship while keeping the spirit of the source material alive. Your ensemble gets to play something genuinely clever that audiences recognize and enjoy.

What to expect

Playful and driving. The chart captures the absurdist humor of the source material while grounded in tight, swinging big band writing that recalls classic film scoring. Energy builds throughout, with moments of clever orchestration and genuine swing that feel both contemporary and timeless.

Who it's for

Advanced jazz ensembles with strong soloists, a capable bass trombone section, and the sophistication to execute Goodwin's detailed harmonic language. Conductors looking for repertoire that delivers both musical substance and audience engagement will find this arrangement rewarding.

How to get the most out of it

Lock in with your bass trombone player early and often. This role carries the harmonic foundation throughout, and the ensemble's groove depends entirely on that player's confidence and tone quality.
Shape the solo sections with clear dynamic contrast. Alto, tenor, and trombone soloists need space to breathe, so pull back the ensemble energy during these moments and let each voice emerge.
Prepare your soprano saxophonist doubling the lead alto part well in advance. The doubling requires secure upper register work and quick coordination with the lead alto voice.
Mark cues for your auxiliary percussion carefully. Two separate percussion parts add textural interest, but they must sit in the mix intentionally rather than fight for attention.

How to use it

This works beautifully as a concert closer or second-half opener. Pair it with other Goodwin arrangements or contemporary jazz pieces to showcase your ensemble's range and personality. It also succeeds in contests where audiences and judges appreciate both technical execution and musical wit.