Atonement Cover Image

Atonement: String Quartet Conductor Score & Parts

$29.95 USD
Sale price  $29.95 USD Regular price 
Skip to product information
Atonement Cover Image

Atonement: String Quartet Conductor Score & Parts

For String Quartet & Solo Instrument

By David Liebman

Item: 01-ADV6005

$29.95
Shipped

One moment…

Description
Atonement commemorates the holiest day of the year in the Jewish faith, called Yom Kippur. On that day an individual repents for transgressions which may have occurred during the past year. Fasting and prayer are the activities which begin at sundown with the chanting of Kol Nidre and end twenty four hours later. Part of the piece quotes the beginning strains of "Hatikvah," the Israeli national anthem.

It is adaptable to any solo instrument. Solo parts are included for C concert, B-flat, E-flat, and bass clef instruments.

Atonement: String Quartet Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio

track 1

0:00
0:00
Sample Video
Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095060058
SKU: 01-ADV6005
Instrumentation: String Quartet & Solo Instrument (C Concert, B-flat, E-flat, or Bass Clef )

More about this title

About the Composer: David Liebman

David Liebman is a saxophonist, composer, and educator whose work spans jazz, contemporary classical, and world music traditions. His compositions often draw on cultural and spiritual themes, reflecting his deep engagement with music across multiple genres and his commitment to creating accessible yet artistically substantial works for varied ensembles.

Why we love this

Liebman has crafted a piece that speaks to spiritual reflection without requiring performers or audiences to share a particular faith tradition. The incorporation of Kol Nidre and Hatikvah creates authentic cultural resonance, while the flexible instrumentation (quartet plus optional solo) makes this accessible for many educational settings.

What to expect

The piece moves between meditation and remembrance, grounded in liturgical material yet expressed through contemporary harmonic language. Moments of gentle introspection alternate with passages of greater intensity, reflecting the emotional weight of repentance and spiritual renewal.

Who it's for

This work suits advanced high school and college string quartets seeking repertoire with cultural and spiritual depth. It also works for chamber ensembles looking to expand their engagement with Jewish heritage and sacred music traditions.

How to get the most out of it

  • Balance the solo instrument carefully against the string quartet; the quartet should support rather than overwhelm the melodic voice, especially during the quotations of traditional material.
  • Pay close attention to the emotional arc across the full twenty-four-hour narrative the piece commemorates; build intensity gradually and allow silence or sparse texture to convey moments of introspection.
  • Choose your solo instrument strategically based on ensemble resources and the character you want to emphasize; each transposition (C concert, B-flat, E-flat, bass clef) brings different color and accessibility to the forefront.

How to use it

Program this during interfaith concert series, cultural heritage celebrations, or chamber music festivals focused on sacred music across traditions. It pairs well with other works exploring spirituality and cultural identity, offering audiences an entry point into Jewish musical practices and contemporary responses to religious tradition.

Skills your students will build

  • Performing quoted liturgical material (Kol Nidre and Hatikvah) with historical accuracy and cultural sensitivity
  • Balancing a solo voice against string quartet accompaniment
  • Interpreting contemporary harmonic language in service of emotional and spiritual expression
  • Managing multiple transpositions and instrumentation options in rehearsal and performance

You May Also Like