Atemwind 1 for Clarinet Solo Cover Image

Atemwind 1 for Clarinet Solo: Clarinet (Solo)

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Atemwind 1 for Clarinet Solo Cover Image

Atemwind 1 for Clarinet Solo: Clarinet (Solo)

By Mark Andre

Item: 98-EP14245

$22.95
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 28
ISBN10: 0-01-412480-7
ISBN13: 979-0-0141-2480-9
SKU: 98-EP14245

More about this title

About the Composer: Mark Andre

Mark André is a German composer and conductor whose work spans contemporary classical music, electroacoustic composition, and experimental notation. His compositions are known for their rigorous exploration of timbre, microtonality, and the extended technical possibilities of acoustic instruments, often pushing performers into unfamiliar territory while remaining grounded in rigorous musical thinking.

Why we love this

Atemwind 1 makes genuine demands on clarinet technique while remaining musically coherent and performable by serious advanced students. The 28-page score signals that André is interested in sustained exploration rather than gesture, rewarding the clarinetist who commits to understanding his sonic world.

What to expect

Atemwind 1 is introspective and textural, exploring the clarinet's capacity for subtle timbral variation and unconventional sound production. The work unfolds deliberately, inviting deep listening rather than virtuosic display, with its title evoking breath and wind as both physical and philosophical concepts.

Who it's for

Advanced clarinet soloists and conservatory-level students comfortable with contemporary concert music and willing to master new technical and notational challenges. This work belongs in the hands of clarinetists who view 20th and 21st century repertoire as central to their artistic development.

How to get the most out of it

  • Study the extended techniques and special notations early; they are integral to the musical language, not ornamental additions.
  • Pay close attention to dynamic trajectories across longer passages rather than isolated notes; continuity of intention will help sustain the listener's attention.
  • Approach intonation as a compositional feature; microtonal adjustments are often deliberate and contribute to the overall sonic palette.

How to use it

Position this as a centerpiece in a contemporary clarinet recital or as part of a concert exploring 21st-century solo wind music. Its length and aesthetic weight make it suitable for a second-half closing work that leaves audiences with something to contemplate.

Skills your students will build

  • Extended clarinet techniques (multiphonics, flutter tonguing, altissimo register control)
  • Reading complex contemporary notation and rhythmic patterns
  • Timbral control and subtle dynamic shaping over longer musical lines
  • Microtonality and alternative intonation strategies
  • Sustained musical concentration and architectural thinking in single-instrument works

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