At the Seashore, Volume 1 Cover Image

At the Seashore, Volume 1: Late Elementary/Early Intermediate Piano Book

$7.50 USD
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At the Seashore, Volume 1 Cover Image

At the Seashore, Volume 1: Late Elementary/Early Intermediate Piano Book

By Bruce Berr

Item: 98-FJH1276

$7.50
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Description
Allows the opportunity to play music that is both expressive and imaginative. A variety of styles is represented, from the introspective and dreamy to the quick and lighthearted. Contents include: Crystal Waters; Vacation Sunrise; The Drifting Ship; Vol

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Additional Details
Series: Composers In Focus
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-208-0
ISBN13: 978-1-56939-208-9
UPC: 674398206353
SKU: 98-FJH1276

More about this title

Why we love this

Berr's collection respects the late elementary player's growing technical abilities while refusing to sacrifice musical substance. Each piece in this volume stands alone as a complete musical thought, making it ideal for recitals, festivals, or simply giving students genuinely rewarding repertoire to work toward.

What to expect

These pieces paint small, vivid moments. You're watching sunlight on water, the slow motion of a ship at anchor, the quiet excitement of arrival. The writing stays accessible while never feeling condescending; the imaginative titles invite students to inhabit each musical landscape fully.

Who it's for

Late elementary and early intermediate students ready to move beyond etude-style pieces into actual repertoire with musical personality. Teachers building recital programs will find this collection particularly useful for students who thrive with imagery and emotional content.

How to get the most out of it

  • Balance the lyrical passages by drawing tone from your whole arm, not just your fingers. These expressive pieces demand space and breath, even on the keyboard.
  • Listen carefully to how the character shifts within each piece. The contrast between dreamy and lighthearted titles suggests Berr wants dynamic shaping that goes beyond the marked dynamics.
  • Record yourself playing through the collection. Hearing the arc across multiple pieces helps you understand pacing and how Berr varies texture throughout the book.

How to use it

This collection works beautifully in a themed recital centered on nature or travel, where contrasting pieces from the volume could be separated by work from other composers. It's also strong material for building a student's solo repertoire across the school year, with pieces selected based on temperament and technical readiness.

Skills your students will build

  • Expressive pedaling in multiple musical contexts
  • Voice independence between hands in lyrical passages
  • Tempo flexibility and rubato within marked time signatures
  • Dynamic shaping across varied phrase structures
  • Interpretive decision-making guided by descriptive titles

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