At the Feast of Stephen Cover Image

At the Feast of Stephen: Flexible Band/String Ensemble Score & Parts

$57.00 USD
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At the Feast of Stephen Cover Image

At the Feast of Stephen: Flexible Band/String Ensemble Score & Parts

Featuring Good King Wenceslas

Arr. Scott Watson

Grade: 1 (Very Easy)

Item: 00-49215

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Description
This version of At the Feast of Stephen by Scott Watson is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

This novel setting of the traditional carol Good King Wenceslas will musically transport you and your students to the royal Christmas banquet hall of a medieval king! The old carol tells the story of a legendary 10th-century monarch, Duke Wenceslas of Bohemia, who went out in the severe cold to give charity to the poor on December 26, also known as St. Stephen's Day. The well-known 13th-century tune, as well as additional original material in period style, vividly conjures a lively celebration of Christmas in the high Middle Ages.

Come now ye lords and ladies to the Feast of Stephen and upon your instruments faire make most merry this Yuletide!

Percussion Accompaniment Track Downloads:
with click
without click. (2:30)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, At the Feast of Stephen: Flexible Band/String Ensemble Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Debut Series
Publisher: Alfred Music
ISBN10: 1-4706-4858-X
ISBN13: 978-1-4706-4858-9
UPC: 038081569383
SKU: 00-49215

More about this title

About the Arranger: Scott Watson

Scott Watson

Scott Watson served 35 years as an instrumental music educator in the Parkland School District (Allentown, PA), beginning as high school Director of Bands and later building the elementary band and strings program across the district. He now holds the position of Associate Professor of Music at Cairn University in Langhorne, Pennsylvania.

Watson has composed over 120 works for concert band, string orchestra, and chamber ensembles at all levels, earning recognition through commissions and performances at major venues including the Academy of Music in Philadelphia, the Midwest Clinic in Chicago, and the White House. His compositional voice draws from both contemporary concert music and the practical demands of the band room. He serves as an exclusive composer and clinician for Alfred Publications, contributes to their Sound Innovations series, and authored Using Technology to Unlock Musical Creativity (Oxford University Press, 2011). Learn more at www.scottwatsonmusic.com.

Why we love this

Watson's arrangement captures the pageantry and warmth of a medieval Christmas celebration while keeping the musical demands accessible for ensembles just beginning to work with mixed instrumentation. The customizable Teacher Map and carefully edited string parts with fingerings and bowings eliminate the guesswork of adapting parts on the fly, letting you focus on building ensemble cohesion rather than troubleshooting instrumental voicing.

What to expect

Stepping into a great medieval hall where torches flicker along stone walls and musicians gather to celebrate. The familiar tune of Good King Wenceslas returns transformed, surrounded by period-appropriate original material that conjures both the pageantry and the genuine warmth of Christmastide charity.

Who it's for

Ensembles mixing woodwinds, brass, and strings for the first time, as well as smaller mixed groups with four or more players who need accessible holiday material that doesn't require doubling arrangements. Music directors working with beginner bands looking to introduce festival or contest repertoire without extensive preparation.

How to get the most out of it

  • Balance the melody between your strongest players rather than expecting perfect unanimity across multiple instrumental timbres; Watson's scoring supports transparent voice leading that forgives slight unevenness in younger ensembles.
  • Use the Teacher Map to assign parts based on your ensemble's strengths at the first rehearsal, then lock those assignments before reading through the score; part switching mid-preparation confuses students and masks real intonation problems.
  • Download the free percussion accompaniment track early and let students hear it in context during sectionals; it anchors the rhythmic confidence many young mixed ensembles lack in their first holiday pieces.
  • Lean into the period style quality through articulation and phrasing choices rather than tempo adjustments; younger players often rush medieval-sounding music, so steady ensemble breathing helps establish character.

How to use it

Perfect for a holiday concert that pairs well with more traditional arrangements elsewhere on the program, offering audiences a fresh take on a beloved carol. Strong candidate for festival or contest submission during the winter season when this repertoire gains relevance; the flexible instrumentation means you're never locked into a specific ensemble makeup.

Skills your students will build

  • Reading music in unfamiliar keys with the support of edited fingerings and bowings
  • Playing in mixed instrumental ensembles where balance and blend matter more than volume
  • Ensemble cohesion across diverse timbres and ranges
  • Style and articulation appropriate to period music
  • Part assignment flexibility based on available instruments

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