At the Ending of a Year Cover Image

At the Ending of a Year: Contemporary Small Ensemble

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At the Ending of a Year Cover Image

At the Ending of a Year: Contemporary Small Ensemble

(2005)

By Errollyn Wallen

Item: 98-EP7792

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 24
ISBN10: 0-577-01227-4
ISBN13: 979-0-577-01227-8
SKU: 98-EP7792

More about this title

About the Composer: Errollyn Wallen

Errollyn Wallen is a British composer whose work spans opera, orchestral music, chamber pieces, and vocal music. She has earned recognition for her distinctive compositional voice and her commitment to expanding the contemporary repertoire across multiple genres and ensemble types.

Why we love this

Wallen writes with genuine understanding of brass instruments and ensemble balance. This piece offers contemporary chamber music that respects the capabilities of horn players while demanding musical maturity and interpretive engagement, making it a thoughtful choice for ensembles ready to program living composers.

What to expect

The piece inhabits the reflective, introspective space its title suggests. Wallen's writing creates moments of lyrical beauty alongside passages of harmonic complexity, offering the ensemble opportunities to explore both intimate musical conversation and broader textural ideas.

Who it's for

This work suits advanced brass players and experienced chamber ensembles with a commitment to contemporary music. It is ideal for recitals, concert programs, or educational settings where musicians are ready to engage with 21st-century compositional language and aesthetic.

How to get the most out of it

  • Balance the ensemble by listening carefully to how your horn voice sits against the other instruments; contemporary scoring often requires active adjustment of dynamics.
  • Mark any tempo or character changes clearly in your part before rehearsal begins, so you can respond quickly to the conductor without losing focus.
  • Explore the specific articulation markings Wallen uses; they shape the musical intent and deserve as much attention as pitch and rhythm.

How to use it

Pair this with other contemporary chamber works to build a cohesive program exploring modern brass writing, or use it as a centerpiece alongside Romantic or early 20th-century repertoire to frame conversations about how the contemporary brass ensemble sound has evolved.

Skills your students will build

  • Interpreting contemporary notation and articulation markings
  • Blending and balancing within a small ensemble without a conductor's beat
  • Responding to extended harmonic language and non-traditional sonorities
  • Sustaining musical focus through reflective, slower passages

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