At The End Of The Day Sheet Music Preview

At The End Of The Day: Ukulele

As performed by Les Miserables (Movie) / As performed by Alain Boublil / As performed by Claude-Michel Schonberg

Item: 35-DS00257737

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00257737

More about this title

About the Artist: Les Miserables (Movie)

The 2012 film adaptation of Les Misérables brought Claude-Michel Schönberg and Alain Boublil's landmark musical to cinema audiences worldwide. Their score, originally staged in 1980, has become one of the most performed musicals in theater history, celebrated for its sweeping melodies and emotional directness. The film version expanded the reach of these songs to listeners who might never step into a theater, making the music accessible across generations and performance contexts.

Why we love this

This arrangement captures one of musical theater's most anthemic moments in a format that opens the song to student musicians who might not have voice or piano access. The ukulele's warmth and portability make it an unexpected but natural home for this melody, allowing ensemble programs to include recognizable film and theater repertoire without requiring a full orchestra or vocal soloists.

What to expect

Hopeful and resolute, with an undercurrent of determination. The melody carries the weight of a moment where individual dreams meet collective struggle, giving performers a song that feels substantial even on a four-string instrument.

Who it's for

Ukulele students ready to tackle a song with real dramatic stakes and emotional maturity. This arrangement works well for intermediate players building their ability to sustain longer melodic lines and control phrasing across a multi-page piece.

How to get the most out of it

  • Let the melody breathe in the opening phrases rather than rushing; the power of this song comes from allowing each lyric moment to land clearly.
  • Balance your dynamic arc across the three pages so the emotional weight builds steadily toward the final statement of the title phrase.
  • Experiment with fingerpicking versus strumming patterns to find what feels most natural to your hand position and the venue's acoustics.

How to use it

Include this in a concert exploring music from film and musical theater, or program it as a bridge piece between classical ukulele repertoire and contemporary song arrangements. It works particularly well in spring or end-of-year concerts where the uplifting text resonates with students reflecting on their own growth.

Skills your students will build

  • Sustained melodic phrasing across multiple phrases without rhythmic fragmentation
  • Dynamic control and expressive playing within a single vocal melody line
  • Connecting fingering transitions smoothly in the middle to upper register

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