At The Cross (Love Ran Red): SATB Choral Octavo
At The Cross (Love Ran Red) Sheet Music Preview

At The Cross (Love Ran Red): SATB Choral Octavo

As performed by Isaac Watts / As performed by Matt Redman / As performed by Chris Tomlin / As performed by Jonas Myrin / Arranged by Ed Hogan

Item: 35-DS00315607
Digital Download
$2.99
Description

At The Cross (Love Ran Red): SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00315607

More about this title

About the Artist: Isaac Watts

Isaac Watts (1674-1748) fundamentally shaped English hymn writing by moving beyond the strict psalm paraphrases that dominated his era. His gift was crafting theological depth wrapped in memorable, singable melodies—hymns that could teach doctrine while remaining emotionally resonant. Nearly three centuries later, his texts still anchor congregational singing and continue to inspire contemporary musicians who arrange and reharmonize his words for new generations.

Why we love this

Ed Hogan's arrangement takes Watts's 18th-century text and marries it to a melody with unmistakable contemporary warmth, creating something that feels both anchored and immediate. The SATB voicing stays accessible without sacrificing harmonic interest, making it equally valuable for a well-trained ensemble or a developing choir eager to sing meaningful repertoire. Programming this at Easter gives your singers a reflection on the theological heart of the season rather than another arrangement they've sung before.

What to expect

Reverent without being heavy, this arrangement unfolds with quiet dignity. The harmonic language suggests contemplation and gratitude—a musical space where singers can inhabit the meaning of Watts's words without strain or sentimentality.

Who it's for

Choirs preparing Easter services, Lenten meditations, or spring concerts need music that honors traditional hymnody while sounding fresh to contemporary listeners. This octavo works for intermediate to advanced ensembles who appreciate both textual weight and harmonic sophistication.

How to get the most out of it

  • Balance the melody across your soprano and alto lines in verse sections; resist the urge to let sopranos dominate. The warmth of this piece depends on blend.
  • Find the stillness underneath the harmonic movement. Even when chord changes are frequent, the pulse should feel grounded and deliberate, not rushed.
  • Shape phrases by breath rather than by bar lines. Let the text dictate your phrasing, especially in moments where the arrangement sets up a natural cadence.

How to use it

Pair this with instrumental or a cappella moments during a Maundy Thursday or Good Friday service for maximum impact. It also serves well in a spring choral concert as the anchor of a set built around redemption and renewal themes, allowing you to program lighter works around it.

Skills your students will build

  • Blending different voice parts within a SATB texture
  • Sustaining expressive singing through harmonic changes
  • Interpreting text-driven phrasing in sacred music
  • Reading and executing traditional four-part choral notation

You May Also Like