At Last: Vocal Solo with Jazz Ensemble Conductor Score & Parts
Music by Harry Warren, lyrics by Mack Gordon / arr. Dave Wolpe
Grade: 3 (Medium)
Item: 00-PK-0006937
$65.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| At Last: Score | $12.00 | |
| At Last: Vocal Solo | $3.00 | |
| At Last: Solo Bb Part (Substitute for Vocal) | $3.00 | |
| At Last: E-flat Alto Saxophone | $3.00 | |
| At Last: 2nd E-flat Alto Saxophone | $3.00 | |
| At Last: B-flat Tenor Saxophone | $3.00 | |
| At Last: 2nd B-flat Tenor Saxophone | $3.00 | |
| At Last: E-flat Baritone Saxophone | $3.00 | |
| At Last: 1st B-flat Trumpet | $3.00 | |
| At Last: 2nd B-flat Trumpet | $3.00 | |
| At Last: 3rd B-flat Trumpet | $3.00 | |
| At Last: 4th B-flat Trumpet | $3.00 | |
| At Last: 1st Trombone | $3.00 | |
| At Last: 2nd Trombone | $3.00 | |
| At Last: 3rd Trombone | $3.00 | |
| At Last: Bass Trombone | $3.00 | |
| At Last: Guitar Chords | $3.00 | |
| At Last: Guitar | $3.00 | |
| At Last: Piano Accompaniment | $3.00 | |
| At Last: String Bass | $3.00 | |
| At Last: Drums | $3.00 |
Parts Added to Cart!
Description
At Last is a level 3 Jazz Vocal Series piece designed for high school and college bands. Vocal solos are featured and include some SATB arrangements. Full instrumentation includes 5 saxophones, 8 brass, 4 rhythm parts, a vocal solo part and an optional B-flat tenor saxophone part, which can be used as a substitute for the vocal solo. Guitar chord frames are provided and the rhythm parts suggest chord voicings and rhythms.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, At Last: Vocal Solo with Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Jazz Vocal Series
Publisher:
Alfred Music
Page Count:
108
SKU:
00-PK-0006937
More about this title
About the Composer: Harry Warren
Harry Warren (1893-1981) composed some of the most enduring standards of the American songbook, with a career spanning vaudeville, Broadway, and Hollywood. His gift for memorable melodies and sophisticated harmonies made him a fixture in film musicals from the 1930s through the 1950s, and his songs remain central to the jazz repertoire today.
Why we love this
Dave Wolpe's arrangement brings this classic standard into the jazz ensemble setting with genuine sophistication, balancing the intimacy of the vocal line against full horn section backgrounds and swinging rhythm. The piece works equally well as a feature for a confident soloist or as a vehicle for student singers to learn phrasing, dynamics, and interpretation within a professional-sounding ensemble context.
What to expect
Smooth and sophisticated, with the easy elegance of a classic jazz ballad. The piece breathes with the confidence of a seasoned standard, inviting the ensemble to support a vocalist's emotional storytelling through lush harmonic backgrounds and a rhythm section that swings with restraint.
Who it's for
High school and college jazz ensembles with an advanced vocalist ready to carry a full-length feature. The arrangement supports both solo singers and SATB vocal passages, making it flexible for programs with ensemble singers or a featured soloist.
How to get the most out of it
- Establish the groove with the rhythm section before bringing in the horns; the tenor and baritone saxophones anchor the harmonic foundation that supports the vocalist's phrasing.
- Allow the vocalist space to breathe and interpret the melody; this standard rewards slight rubato and dynamic nuance rather than metronomic precision.
- Use the guitar chord frames as a guide for voicing density; lighter voicings in the verse create intimacy, while fuller voicings in the final chorus build momentum.
- Balance the saxophone section against the brass; the five saxes can easily overpower a developing vocalist, so adjust volume during rehearsal to ensure the melody remains the focal point.
How to use it
Program this as a concert centerpiece or as the opening feature in a jazz showcase concert; its sophistication elevates the entire program and gives audiences a chance to hear your vocalist in a polished, professional arrangement. It pairs naturally with uptempo jazz standards and works well in a mixed program of big band classics.
Skills your students will build
- Jazz phrasing and vocal interpretation within an ensemble context
- Reading and balancing written horn backgrounds against a featured melody
- Understanding guitar chord voicings and their relationship to melodic improvisation
- Ensemble cohesion in a medium-sized jazz ensemble (5 saxophones, 8 brass, 4 rhythm)
- Listening and responding to the rhythm section's groove and tempo foundation