At All Costs (from Wish) (arr. Mac Huff): 2-Part Mixed Choral Octavo
At All Costs (from Wish) (arr. Mac Huff) Sheet Music Preview

At All Costs (from Wish) (arr. Mac Huff): 2-Part Mixed Choral Octavo

As performed by Chris Pine and Ariana DeBose / As performed by Ariana DeBose / As performed by Chris Pine / Arranged by Mac Huff

Item: 35-DS01325523
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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS01325523

More about this title

About the Artist: Chris Pine and Ariana DeBose

Chris Pine and Ariana DeBose performed this duet for the Disney animated film Wish, bringing vulnerability and determination to a song about sacrifice and devotion. Pine, known for his work in film and television, paired with DeBose, an accomplished stage and film performer, to create a compelling vocal partnership that anchors this emotional moment in the story.

Their performances showcase the storytelling power of contemporary musical theater writing, capturing the tension between personal desire and selfless commitment that defines the song.

Why we love this

Mac Huff's arrangement opens this Disney duet to singers at an accessible level without sacrificing the emotional weight that makes the original recording resonate. The 2-part voicing allows mixed choirs to program repertoire from a current, popular film without needing extensive resources or advanced singers, making it genuinely useful in the real world of high school and community choirs.

What to expect

The piece carries quiet intensity and resolve. There is an underlying current of emotion without melodrama, with the two voices weaving together in support of a commitment that costs something. The arrangement respects the intimate quality of the original while giving it room to breathe in a choral setting.

Who it's for

Choir directors working with mixed-voice ensembles at the middle school, high school, or community level will find this arrangement both singable and dramatically effective. Any program looking to include contemporary film repertoire without overshooting vocal demands should consider this title.

How to get the most out of it

  • Balance the melody line between the two parts so the story remains clear; neither voice should dominate, but both should project with equal commitment to the narrative.
  • Let the harmonic support underneath breathe. Resist the urge to oversing the sustained notes, which will rob the piece of its emotional directness.
  • Shape phrases around the lyrical content rather than purely musical phrases. This song is about conviction, so each phrase should build toward its emotional point.

How to use it

This works well as a mid-program piece where you want to shift emotional tone and showcase your singers' ability to handle contemporary material with maturity. Pair it with other Disney arrangements or film repertoire for a thematic concert, or use it as a bridge between more traditional selections to demonstrate range in your programming.

Skills your students will build

  • Singing in parallel thirds and sixths with accuracy and blend
  • Sustaining emotional intensity across longer phrases without pushing tone
  • Balancing two independent melodic lines within a single ensemble
  • Responding to text-driven phrasing in contemporary musical theater idiom

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