At All Costs (from Wish) (arr. Mac Huff) Sheet Music Preview

At All Costs (from Wish) (arr. Mac Huff): SATB Choral Octavo

As performed by Chris Pine and Ariana DeBose / As performed by Ariana DeBose / As performed by Chris Pine / Arranged by Mac Huff

Item: 35-DS01325522

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS01325522

More about this title

About the Artist: Chris Pine and Ariana DeBose

Chris Pine brings film and theatrical experience to his vocal work, known for roles spanning drama and action across major studio productions. Ariana DeBose has emerged as a distinctive vocal presence in both film and stage, earning recognition for her dynamic range and emotional authenticity in musical storytelling.

Why we love this

Mac Huff's arrangement captures the soaring optimism of this Disney moment while keeping the harmonic language accessible for school choirs. The duet structure gives your choir a chance to feature two strong singers while maintaining ensemble cohesion throughout.

What to expect

Earnest and propulsive, this arrangement radiates the kind of determined hope that defines modern Disney storytelling. The harmonies open and close around a core of optimism, inviting singers to invest emotionally while the supporting voices create a foundation of quiet determination.

Who it's for

Choirs with solid vocal control and at least one pair of reliable soloists ready to carry a duet. This works for middle school through community choir settings seeking contemporary Disney material that respects both accessibility and musical substance.

How to get the most out of it

  • Balance the alto and tenor lines in measures where they carry counter-melody; these moments define the arrangement's warmth.
  • Shape the dynamic arc toward the emotional peak rather than holding energy evenly throughout. Let the piece build its own momentum.
  • Anchor the soprano line with confident vibrato during sustained notes. This role carries listeners through the song's quieter passages.
  • Work the rhythmic precision of the underlying choral texture early so soloists can focus on lyrical phrasing and connection.

How to use it

Pair this with other contemporary film arrangements for a concert that bridges musical theater and pop sensibility. It works especially well as a closing number when you want energy and uplift without sacrificing musical substance.

Skills your students will build

  • Balancing solo and ensemble textures
  • Sustaining open vowels in contemporary harmonic language
  • Responding to dynamic and emotional arcs in arrangement
  • Supporting a duet as rhythmic and harmonic foundation

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