As Winter Begins Sheet Music Preview

As Winter Begins: SATB Choral Octavo

By Douglas E. Wagner

Item: 35-DS01768524

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS01768524

More about this title

About the Composer: Douglas E. Wagner

Douglas E. Wagner

Douglas E. Wagner grew up in Chicago and earned both undergraduate and graduate degrees in music from Butler University. He spent three decades as a high school music director and administrator before committing himself fully to composition, a decision that has yielded over 3,500 published works across choral, band, orchestral, handbell, organ, piano, and vocal genres.

Since 1973, Wagner's music has reached performing groups worldwide, with more than seventeen million copies in circulation. His compositions appear regularly in concert halls and broadcast performances across North America and internationally. He currently lives in Indianapolis with his wife, Sandy.

Why we love this

Wagner has mastered the art of writing seasonal music that sounds fresh rather than recycled. This piece captures the quiet, contemplative mood of winter's arrival without relying on heavy orchestration or overwrought arrangements, making it accessible to mid-level choirs while remaining musically satisfying for more advanced ensembles.

What to expect

The piece inhabits the reflective space between autumn's decline and winter's full arrival, with harmonic colors that shift like changing light. Listeners experience quietude and restraint rather than sentiment, a musical landscape that feels honest and unforced.

Who it's for

Mid to advanced high school choirs and college non-majors ensembles looking for repertoire that honors winter's character without kitsch. The eight-page length makes it manageable for groups with limited rehearsal time who still want substantive concert material.

How to get the most out of it

  • Balance the voices so inner parts remain audible during full sections; SATB writing often obscures altos and tenors when sopranos and basses dominate.
  • Shape the text intelligently by varying the dynamic arch between phrases rather than maintaining a single volume level throughout.
  • Mark any modal or unexpected harmonic shifts in score study; Wagner often employs subtle voice-leading that rewards careful listening.

How to use it

Anchor a winter or holiday concert with this as a contrasting second piece following something more energetic or traditional. Its modest page count also makes it ideal for spring programs exploring seasonal cycles or for inclusion in chamber choir recitals.

Skills your students will build

  • Sustaining legit tone across longer phrases in mid-register parts
  • Balancing SATB texture without one voice dominating
  • Interpreting text through dynamic and tonal shaping
  • Responding to harmonic subtlety in contemporary choral writing

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