As The Deer (arr. Keith Christopher): Choral Instrumental Pak
By Martin Nystrom / Arranged by Keith Christopher
Item: 35-PK00481948
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Description
As The Deer (arr. Keith Christopher)
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00481948
More about this title
About the Composer: Martin Nystrom
Martin Nystrom is a Christian music composer and worship leader whose work has shaped contemporary sacred music since the 1970s. His compositions, including the beloved hymn "As The Deer," combine accessible melodies with theological depth, making them staples in churches and music programs worldwide.
Why we love this
Keith Christopher's arrangement respects the song's meditative quality while giving it real textural variety through instrumental color. The choral writing sits comfortably across voices, and the instrumental parts enhance without overwhelming the essential simplicity that makes this piece resonate so powerfully.
What to expect
Quiet and reflective, with a gentle seeking quality that invites listeners inward. The arrangement unfolds with warmth and clarity, creating space for the lyrics to resonate without needing grand gestures.
Who it's for
Choirs preparing Easter services, spring concerts, or worship services will find this accessible and moving. It works equally well in educational choral settings where singers benefit from reinforcement through instrumental doubling.
How to get the most out of it
- Shape the melody with gentle phrasing rather than pushing the tempo; let the text breathe naturally.
- Balance the choir carefully so instrumental lines can speak clearly without competing for attention.
- Use the recorded accompaniment to establish the emotional foundation, then gradually add instrumental parts during rehearsal to help singers track their own parts.
How to use it
Place this as a centering moment within a larger concert or service, perhaps following more energetic selections. Its contemplative nature makes it an excellent anchor for a program that explores themes of faith and longing.
Skills your students will build
- Singing sustained vowels with consistent tone
- Balancing voice parts against instrumental accompaniment
- Interpreting text-driven phrasing in sacred music
- Following instrumental cues and entrances