As One: Concert Band Conductor Score & Parts

Bernotas crafted this overture specifically for the moment when developing musicians are ready to move beyond isolated exercises and taste real ensemble payoff. The optional solos provide natural differentiation without compromising the piece's unity, and the memorable themes give every section something worth playing. The groove section injects genuine fun without sacrificing musicianship, making it the kind of piece students remember long after contest season ends.

Bright and approachable, with moments of genuine musicality that surprise you with their depth. The piece moves between warm, memorable melodies and an infectious groove that brings the ensemble together into a unified sound.

Concert bands at the Grade 1.5 level looking for repertoire that sounds polished and engaging without requiring advanced technique. It works equally well for groups preparing for festival or contest and those simply building a strong concert program.

• Balance the optional solos so they emerge clearly from the ensemble without requiring dramatic dynamic drops in the accompanying parts; this teaches students to support featured players rather than step back entirely.
• Establish the groove section's pocket early in rehearsal by locking the rhythm section (lower woodwinds, low brass, and percussion) before layering in upper voices.
• Shape the memorable melodies with gentle phrase breathing rather than hard attacks at phrase breaks; this keeps the line singing even during faster passages.
• Use the optional solo sections as opportunities for confidence building; rotate soloists through rehearsals to give multiple students performance experience.

Program this as a concert opener to set an energetic, welcoming tone, or use it as your festival selection where it will stand out for its musicality and charm. It pairs well with either a lyrical ballad or a march, giving you flexibility in building a satisfying concert arc.

• Playing optional ensemble solos while maintaining part independence
• Locking rhythmic precision in groove-based sections
• Phrase shaping and melodic communication across the full ensemble
• Balancing part transparency in multi-layered textures
• Listening and responding to featured players within ensemble context