As Long As I'm Singing (arr. Kirby Shaw) Sheet Music Preview

As Long As I'm Singing (arr. Kirby Shaw): SATB Choral Octavo

By Bobby Darin / Arranged by Kirby Shaw

Item: 35-DS00467929

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00467929

More about this title

About the Composer: Bobby Darin

Bobby Darin (1936-1973) was a versatile entertainer who moved fluidly between rock and roll, pop standards, and jazz interpretations. His vocal flexibility and ability to tackle both uptempo novelty songs and sophisticated ballads made him a natural for the Great American Songbook, and his artistry continues to inspire singers interested in stylistic range and authenticity.

Darin's catalog offers choir arrangers rich material because his best work balances accessibility with genuine musicality. His interpretations never feel overwrought; they respect the melody while adding personality, a quality that translates well to ensemble settings where clarity matters as much as swagger.

Why we love this

Kirby Shaw's arrangement captures the warmth and conversational ease of Darin's original without requiring soloists to carry the whole weight. The SATB voicing distributes the melody and harmonic interest evenly, making this a piece where every voice has musical substance. It's the kind of arrangement that feels like a natural fit in any pop or jazz concert without needing to apologize for its stylistic territory.

What to expect

Optimistic and sincere. There's a conversational quality here, as if the singer is sharing something genuinely felt rather than performing a spectacle. The arrangement supports that intimacy while keeping the energy buoyant and engaging.

Who it's for

SATB choirs that want accessible repertoire with genuine musical substance. This works equally well for concert choirs seeking a lighter set closer and for groups building confidence in the pop and jazz idiom.

How to get the most out of it

  • Treat the rhythmic phrasing like natural speech rather than metronomic precision. The charm lives in the relaxed swing and the space between phrases.
  • Balance the upper voices carefully in the harmonic sections; Shaw's writing often stacks interesting counterpoint that gets buried if the sopranos dominate.
  • Let the dynamics follow the emotional arc rather than the page markings alone. This song works best when singers respond to lyrical intent moment by moment.
  • Work the recorded accompaniment into rehearsal early so voices can settle into the groove. Pop arrangements depend on rhythmic confidence from the ensemble.

How to use it

Place this alongside other standards or American songbook material to show stylistic breadth. It also serves as an excellent palate cleanser between heavier classical works, and the 10-page length makes it manageable for winter or spring concerts without crowding your rehearsal time.

Skills your students will build

  • Swing rhythm and jazz phrasing in a choral context
  • Balancing ensemble unity with individual vocal expression
  • Clarity and separation of independent voice lines in close harmonies
  • Stylistic confidence moving between concert and pop idioms

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