As a Wind from the North Cover Image

As a Wind from the North: Concert Band Conductor Score

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As a Wind from the North Cover Image

As a Wind from the North: Concert Band Conductor Score

By Robert Sheldon

Grade: 5 (Difficult)

Item: 00-24676S

$11.00
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Description
As a Wind from the North was inspired by the writings of Byron Reece and commissioned by the Northwinds Symphonic Band of Gainesville, Georgia (Ronald J. Evans, Conductor), and was premiered at the Georgia Music Educators All-State Conference in Savannah. The piece is a fantasy based on the hymn "King of Glory" by David Charles Walker. This title is available in MakeMusic Cloud.

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 52
UPC: 038081276724
SKU: 00-24676S

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon's output defines contemporary concert band repertoire. His commissions span the globe, his works appear consistently on state and national contest lists, and his music is performed from Japan to Australia. He has guest conducted All-State and Regional Honor Bands extensively and maintains an active schedule as a clinician at universities and state music education conferences.

Why we love this

Sheldon constructs fantasy pieces that give conductors real musical substance to work with. The hymn-based architecture here provides immediate accessibility for ensemble and audience while the fantasia treatment demands serious interpretive choices from your band. Grade 5 difficulty at this level typically means hollow writing; this score offers genuine compositional depth.

What to expect

Contemplative and expansive. The piece opens with the character of northern wind and landscape, then unfolds the familiar hymn through variations and harmonic recontextualization. By the close, the tune feels both discovered anew and deeply rooted.

Who it's for

Bands at the Grade 5 level seeking contest or festival repertoire with genuine artistic reach. This piece works equally well for concerts where you want to showcase your ensemble's musical maturity without reaching for advanced repertoire.

How to get the most out of it

  • Balance the hymn's thematic material across sections so its journey remains audible through the fantasy's development. The tune carries the emotional weight; resist the urge to bury it under accompaniment texture.
  • Shape phrases around the Byron Reece literary inspiration. Check the score for textual connections that might suggest where lines breathe or accelerate emotionally.
  • Lock articulation and rhythmic precision in transition passages. Fantasias live or die in the seams between thematic sections.

How to use it

Program this as a centerpiece in a concert pairing lighter openers with it as your anchor work. The hymn-based source material makes it particularly fitting for fall or winter concert programming, and its contest pedigree positions it well for festival competition in spring.

Skills your students will build

  • Reading and sustaining musical line through formal fantasy structure
  • Balancing melody and accompaniment across full band voicing
  • Executing smooth transitions between thematic sections
  • Interpreting hymn-derived material with stylistic coherence
  • Managing dynamic control in dense harmonic textures

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