Artist of the Heart Sheet Music Preview

Artist of the Heart: SATB Choral Octavo

By Kevin A. Memley and Susie Joy Mast / By Kevin A. Memley

Item: 35-DS01104016

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$3.35
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS01104016

More about this title

Why we love this

This piece brings together two voices with a shared vision for sacred choral writing that honors both text and voice. The emotional directness of the music makes it accessible without sacrificing musical substance, giving your singers material that feels genuinely singable while still asking them to dig into real interpretive choices.

What to expect

Earnest and contemplative, with an emotional core that feels grounded in genuine expression rather than sentimentality. The writing honors the intimacy possible in four-part chorale while maintaining a sense of forward momentum.

Who it's for

SATB choirs looking for sacred repertoire with accessible ranges and genuine musicality. This octavo works equally well for community choirs, church ensembles, and high school programs seeking material that challenges musicians without overwhelming them.

How to get the most out of it

  • Balance the text clarity across all four parts; even in fuller moments, the lyrics should land with equal weight from soprano through bass.
  • Explore the dynamic shape of individual phrases rather than treating entire sections at one volume level; this keeps the music from feeling static over ten pages.
  • Pay attention to vowel consistency when voices move in parallel motion, as unity in sound will strengthen the harmonic impact.

How to use it

Pair this with other contemporary sacred works for a concert exploring modern hymn-style compositions, or use it as a centerpiece in a service-music program where emotional authenticity matters. The ten-page length makes it substantial enough to anchor a portion of a concert without monopolizing rehearsal time.

Skills your students will build

  • Balancing harmony while maintaining text clarity across four independent voice lines
  • Shaping long-lined phrases in sacred music without excessive breath marks
  • Blending vowel sounds across parallel voice motion

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