Arise, Shine!: Choral Instrumental Pak
By Victor C. Johnson
Item: 35-PK00150851
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About the Composer: Victor C. Johnson

Victor C. Johnson brings decades of choral leadership to his role as School Choral Editor for Sing!, the educational publishing arm of Choristers Guild. Based in Dallas, he has built an extraordinary catalog of over 500 published choral works, vocal solos, and keyboard pieces that serve musicians across the country.
From 2000 to 2018, Johnson shaped young musicians as choral director at Ft. Worth Academy of Fine Arts, where he led the Academy Singers and Academy Men's Choir while serving as Artistic Director for the Singing Girls of Texas and Children's Choir of Texas. He currently conducts the Dallas Symphony Children's Chorus Mixed Ensemble, the resident youth choir for the Dallas Symphony Orchestra. His involvement with ACDA, the American Guild of Organists, TMEA, NAfME, and ASCAP reflects his commitment to the choral art across multiple musical communities.
Why we love this
Johnson captures the architectural drama of Advent and Christmas proclamation without resorting to sentimentality. The pairing of brass and organ gives directors a genuine festival sound that's achievable without a massive ensemble, making this ideal for churches and schools eager to create real sonic impact during the season.
What to expect
Exultant and clarion. The organ grounds you in something timeless while the brass cuts through with pure, celebratory light. It's the sound of invitation and arrival, urgency and joy combined, never fussy or overwrought.
Who it's for
Directors programming Advent or Christmas services who want a substantial, well-crafted anthem that uses available resources intelligently. This works equally well in church choirs, school choral programs, and university ensembles seeking shorter concert pieces with immediate liturgical or seasonal purpose.
How to get the most out of it
- Balance the organ manual voicing carefully in rehearsal; the brass naturally projects, so let the organ's foundation support rather than compete with the instrumental color.
- Mark the moments where the choir rests and lets the brass lead. These moments refresh the ensemble's sound and give singers time to breathe strategically before the final buildup.
- Prepare the organ part separately if possible. Johnson's writing demands registration that supports both the hymnic character and the anthemic drive, so early coordination between organist and director pays off.
- Shape the text declamation across the ensemble. With brass providing rhythmic anchoring, singers should feel free to phrase the words with clarity and conviction rather than forcing alignment to strict time.
How to use it
Lead your Christmas concert with this piece to establish tone and energy from the opening moment, or use it as a finale to send the congregation out with undeniable choral and instrumental brightness. The two-minute-fifty-second duration fits neatly into longer choral programs without dominating the event, and its festive character pairs well before or after more introspective seasonal repertoire.
Skills your students will build
- Ensemble balance between voices and brass instruments
- Singing with instrumental accompaniment that features independent rhythmic motion
- Text projection in celebratory, proclamatory styles
- Following and responding to organ registration changes and manual shifts