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Arietta from Lyric Pieces (Book 1) for Piano: Piano (Solo)

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Arietta from Lyric Pieces (Book 1) for Piano Cover Image

Arietta from Lyric Pieces (Book 1) for Piano: Piano (Solo)

From the Series "More Than the Score..."

Masterclass by Daniel Grimwood / Composed by Edvard Grieg

Item: 98-EP73156

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more than the score… is a series of classic piano music, covering much of the essential repertoire from Bach through Mozart, Schubert, Mendelssohn, Chopin and Debussy, right up to John Cage. Each volume focuses on one piece, with written masterclasses and background information encouraging an exploration of the music – beyond the printed score.

All titles in the Edition Peters more than the score… series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor, Roy Howat, Daniel Grimwood, Clare Hammond and Adam Tendler.

more than the score… draws on material released on Tido Music, a revolutionary web resource and iPad app.

Arietta from Lyric Pieces (Book 1) for Piano: Piano (Solo) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-57-701475-7
ISBN13: 979-0-5770-1475-3
SKU: 98-EP73156

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843-1907) shaped the sound of Scandinavian nationalism in music. A Norwegian composer who studied in Leipzig and Denmark before returning to his homeland, Grieg built a distinctive musical voice by integrating Norwegian folk melodies, harmonies, and character dances into the Romantic idiom. His gift for lyrical melody and harmonic color made him one of the most performed composers of his era.

Grieg's Lyric Pieces remain central to the piano repertoire because they balance accessibility with genuine artistry. Written across four decades in multiple collections, these character pieces reveal a composer equally at home with intimate miniature forms and larger structural ambitions. For pianists and teachers, Grieg's output offers essential encounters with tone production, pedal technique, and the marriage of folk sensibility with European musical sophistication.

Why we love this

Arietta functions as a gateway into the Lyric Pieces repertoire, offering melodic warmth and moderate technical demands that suit intermediate pianists ready to move beyond exercise-based repertoire. The Edition Peters "more than the score" format includes masterclass commentary that transforms a single piece into a deeper study of Grieg's compositional language, pedaling strategies, and the balance between simplicity and sophistication that defines his best writing. You get the score plus professional insight into what makes this music endure.

What to expect

Arietta unfolds as a quiet meditation, its simple tune reminiscent of a Norwegian folk song recast through a Romantic harmonic lens. The piece exudes intimacy and nostalgia, with an accompaniment that supports rather than complicated, allowing space for the melody to breathe and resonate.

Who it's for

Intermediate pianists developing interpretive independence and looking for Romantic-era repertoire beyond the standard curriculum. Teachers seeking short character pieces that teach tone production, pedal control, and lyrical phrasing without excessive technical demands.

How to get the most out of it

  • Shape the melody line with gentle dynamic shaping that follows the contour of the phrase; resist the urge to play mechanically through repeated sections.
  • Explore the pedal carefully to enhance harmonic color without blurring the clarity of the accompaniment figures.
  • Allow the opening melody breathing room by not rushing the tempo; this piece benefits from a slightly unhurried approach that mirrors the character of a small song.
  • Attend to the textural balance between melody and accompaniment so that the simple supporting material never overwhelms the primary voice.

How to use it

Program this as a solo recital opener or as part of a Grieg-focused miniatures program, where it pairs naturally with other Lyric Pieces at similar difficulty levels. It also works well in a student showcase dedicated to Romantic character pieces, offering a contrast to more virtuosic or dramatic works.

Skills your students will build

  • Shaping and phrasing a simple melody with dynamic nuance
  • Pedal coordination to enhance harmonic color while maintaining clarity
  • Balance between melody and accompaniment in homophonic texture
  • Interpretation of character and mood from minimal musical notation

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