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Aria: Saxophone and Keyboard Score & Parts

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Aria: Saxophone and Keyboard Score & Parts

By Glen Gillis

Level: Medium

Item: 81-SS1942

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Description
Aria for saxophone and piano is taken from the slow lyrical section of Glen Gillis' larger work Fantasia. The piece has a key center of D minor with a four-bar phrase structure metered in 4/4 and episodes of 5/4 inserted within to elongate the phrases. This lyrical work has slow marked tempo, but the phrases should have a degree of elasticity for the saxophonist to express this modal aria.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-590-5
ISBN13: 978-1-77157-590-4
UPC: 685462025916
SKU: 81-SS1942

More about this title

About the Composer: Glen Gillis

Glen Gillis is a composer whose work bridges lyrical expression with structural sophistication. His Fantasia demonstrates a command of modal writing and rhythmic flexibility, creating opportunities for performers to develop interpretive maturity.

Why we love this

Gillis extracts the emotional core of his larger Fantasia and gives it room to breathe as a standalone work. The shifting meter (4/4 into 5/4) creates natural space for the saxophonist to shape phrases with real musical intent rather than mechanical precision, making this a genuine showcase for expressive playing.

What to expect

The piece settles into D minor with a contemplative, unhurried character. Phrases breathe and stretch; the insertion of 5/4 bars feels less like a complication and more like the music allowing itself extra time to complete a thought. There's a quiet modal quality throughout that invites introspection.

Who it's for

This score suits intermediate saxophonists ready to engage with ensemble playing that demands musical maturity alongside technical facility. It works equally well as a recital solo, an ensemble showcase, or a repertoire piece for developing expressive control in a chamber context.

How to get the most out of it

  • Treat the 5/4 episodes as expansions of thought, not disruptions. Let the extra beat extend the line naturally rather than feeling tacked on.
  • Work with your pianist to establish a flexible tempo framework. D minor's darkness pairs beautifully with subtle rubato that honors the modal character without losing forward motion.
  • Balance tone warmth in the low and middle register where this piece lives. The lyrical writing rewards a singing quality over cutting brightness.
  • Use silence and space strategically. The slow tempo means every rest becomes part of the phrase architecture, not a break in activity.

How to use it

Program this alongside more energetic work to create dynamic arc in a recital or concert. Its meditative character makes it an excellent closer to a lighter first half, or a bridge piece that recalibrates audience attention before a contrasting major work.

Skills your students will build

  • Expressive phrasing with intentional rubato in a slow tempo
  • Reading mixed meters (4/4 and 5/4) without losing phrase continuity
  • Ensemble balance and listening to keyboard accompaniment
  • Modal voice leading and harmonic context in D minor
  • Sustaining tone quality and intonation in the instrument's primary register

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