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Areopogus: Concert Band Conductor Score

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Areopogus Cover Image

Areopogus: Concert Band Conductor Score

By Ralph Ford

Grade: 1 (Very Easy)

Item: 00-35337S

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Description
Areopogus [ar-ee-op-uh-guhs], "the hill of Ares (Mars)," was a rocky hill located northwest of the Acropolis in ancient Athens, Greece. This original Ralph Ford work, created with eerie modal melodic content, was inspired by this alien hill. The work is composed in G minor; your ensemble will sound mature beyond their years. A dynamic contemporary original composition for your beginners!

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Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 20
UPC: 038081408675
SKU: 00-35337S

More about this title

About the Composer: Ralph Ford

Ralph Ford

Ralph Ford brings nearly three decades of university teaching to his work as a prolific composer and arranger. Since 1999, he has served as an exclusive composer and arranger for Alfred Music's Belwin division, with over 250 published titles spanning concert band, orchestra, jazz ensemble, and marching band repertoire performed by school, university, military, and professional ensembles worldwide.

Ford's career spans multiple disciplines. He began arranging professionally at fifteen and held the position of Director of Jazz Ensemble I at Troy State University during his undergraduate years. Beyond the concert hall, his media work includes composing news packages for national broadcast affiliates, producing live radio and television programming, and creating advertising scores that have earned international recognition. He holds a Master of Science degree from Troy State University.

Why we love this

Grade 1 repertoire rarely achieves the harmonic sophistication Ford brings here. The modal writing in G minor creates an atmospheric, mature quality that challenges young musicians to hear beyond major and minor tonality while remaining within their technical reach. This is the kind of piece that reminds students why they started band in the first place.

What to expect

Mysterious and otherworldly, like standing on an ancient hill overlooking a landscape both familiar and strange. The modal idiom creates an unsettling beauty, a soundscape that feels far more mature than the notes on the page suggest.

Who it's for

Beginning concert bands ready for genuine compositional substance without technical overreach. This work suits ensembles completing their first year of study, offering rewarding concert and festival material that builds musicianship through carefully crafted contemporary writing.

How to get the most out of it

  • Shape the modal melodic lines with subtle dynamic shaping to emphasize the eerie character Ford intended; resist the urge to play straightforwardly at one dynamic level.
  • Balance your ensemble carefully in the early sections so that the melody projects clearly without overwhelming the harmonic foundation.
  • Attend to intonation around the G minor tonality, particularly the intervals that define its modal quality; tuning tendencies shift when students are unfamiliar with a tonal center.

How to use it

Program this as a centerpiece on a beginning band concert where you want to demonstrate growth and artistic depth. Its contemporary origin and programmatic title make it an engaging program note moment, and the 20-page score suggests a substantial work suitable for a festival entry or concert closer.

Skills your students will build

  • Reading and performing in modal contexts, particularly G minor
  • Balancing ensemble sound across multiple voice parts
  • Shaping phrasing in contemporary music with less obvious harmonic landmarks
  • Intonation awareness in non-traditional tonal centers

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