Arch of Triumph (French March): Concert Band Conductor Score & Parts
By Johnnie Vinson
Grade: 2
Item: 35-PK00271551
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About the Composer: Johnnie Vinson
Johnnie Vinson is a prolific composer and arranger whose work spans educational and professional concert settings. His compositions are known for clean orchestration, accessible melodic writing, and strong attention to the balance between technical interest and playability.
Why we love this
Vinson captures the ceremonial grandeur of a French march without requiring advanced technique, making this an ideal choice when you want genuine musical substance at Grade 2. The fanfare writing sits naturally across your section leadership, and the clear harmonic structure supports young ensemble players building confidence in their parts.
What to expect
Stately and purposeful, like watching a formal processional. The fanfare-like passages create moments of grandeur while the approachable scoring keeps the ensemble engaged rather than overwhelmed.
Who it's for
Concert bands at Grade 2 level, especially those looking to program something beyond typical military marches. This works equally well for ensembles building repertoire around a French or European theme.
How to get the most out of it
- Shape the fanfare figures with clear articulation; these are what give the march its ceremonial character, so avoid letting them blur into surrounding melodic material.
- Balance the full band texture so the main melody reads clearly over the harmonic foundation. Younger players often overblow supporting parts when excited about fuller sonorities.
- Keep a steady, formal march tempo. Resist the urge to slow down, as the two-minute duration depends on proper forward motion.
How to use it
Slot this between a lyrical piece and something energetic to give your concert architectural variety. At two minutes, it's an excellent opener that establishes musicality and precision without taxing the ensemble early in the performance.
Skills your students will build
- Articulation clarity in fanfare-style figures
- Maintaining steady tempo in march form
- Balance and blend in full-band textures
- Reading French instrumentation nomenclature