Arabian Dreams Cover Image

Arabian Dreams: String Orchestra Conductor Score & Parts

$75.00 USD
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Arabian Dreams Cover Image

Arabian Dreams: String Orchestra Conductor Score & Parts

By Soon Hee Newbold

Grade: 3.5

Item: 98-ST6027

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Description
Depicting some of the composer's favorite legends of the Middle East, Arabian Dreams is written in several sections. Beginning with imagery suggesting a fiery sunrise, the piece is soft and reflective in nature. Becoming more animated, it quickly progresses into the faster pace of market life before culminating in a magnificent ride on a galloping horse through a desert oasis. Soon Hee Newbold at her best!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Arabian Dreams: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 674398211210
SKU: 98-ST6027

More about this title

About the Composer: Soon Hee Newbold

Soon Hee Newbold

Soon Hee Newbold draws compositional inspiration from her global travels and deep engagement with world cultures. Beginning formal training at five on piano and violin at seven, she developed into a concert performer and eventually one of today's most versatile composers, with works spanning professional orchestras down to elementary ensembles.

Her music has graced some of the world's most prestigious venues: Carnegie Hall, Kennedy Center, Lincoln Center, and Disney Hall among them. Beyond the concert hall, Newbold works as a filmmaker and composer in Hollywood, brings her expertise to clinics and conferences internationally, and has conducted orchestras and bands across the United States, the Netherlands, Belgium, Australia, Indonesia, Singapore, and China.

Why we love this

Newbold creates a complete narrative arc without requiring elaborate staging or explanation. The piece moves naturally from intimate reflection through energetic market scenes to a thrilling finale, giving your students genuine dramatic stakes while staying musically accessible at grade 3.5. The orchestration breathes at every transition, which means even less experienced ensembles can shape the story convincingly.

What to expect

Arabian Dreams unfolds like a traveler's journal rendered in music. You begin in the stillness of dawn, watching light spread across the desert, before plunging into the sensory overload of a bustling marketplace, finally racing across open sand on horseback. The writing captures each environment vividly without sacrificing musicality.

Who it's for

This works beautifully for orchestras ready to tackle multi-section programming with intent. It suits festival and contest calendars perfectly, giving students a piece with real character development that judges and audiences immediately connect to.

How to get the most out of it

  • Shape the opening sunrise imagery with gradual dynamic growth rather than sudden shifts. Let the strings bloom naturally from the soft beginning.
  • When the market music kicks in, emphasize rhythmic clarity in the lower strings to keep the faster sections grounded and driving forward.
  • The galloping finale needs consistent bow contact and secure ensemble rhythm. Consider rehearsing the sections separately before weaving them together.
  • Balance your divisi carefully in quieter moments so the texture remains transparent without sounding thin.

How to use it

Pair this as the centerpiece of a world music concert segment, pairing it with other culturally-inspired works, or program it as your closing number at a festival competition where you need a piece that lands with energy and imagination. The programmatic nature also makes it ideal for educational concert performances where storytelling matters as much as technical display.

Skills your students will build

  • Shaping dynamic curves across longer musical phrases
  • Maintaining rhythmic precision during tempo and texture changes
  • Balancing divisi textures in string writing
  • Interpreting programmatic direction through ensemble playing
  • Coordinating bow changes as a section during rapid passages

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