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Arabian Dances: Flexible Band/String Ensemble Score & Parts

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Arabian Dances Cover Image

Arabian Dances: Flexible Band/String Ensemble Score & Parts

By Brian Balmages

Grade: 4

Item: 98-B1848

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Description
Explore Middle Eastern sounds with Arabian Dances by Brian Balmages that combines authentic traditional melodies and rhythms with original music. After a haunting opening, authentic Middle Eastern percussion instruments create the groove that accompanies the folk song "Ala Dal'ona." As the orchestration builds, original themes are intertwined before the percussion ensemble becomes the focus of the third section. The final melody, "Tafta Hindi," develops until it morphs into an ostinato over a magnificent presentation of the original theme that is found throughout the work. A riveting ending brings this thrilling work to a dynamic close! (6:30)

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Additional Details
Series: FJH Flex Series
Publisher: The FJH Music Company, Inc.
UPC: 241444435922
SKU: 98-B1848

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a composer and conductor working across orchestral, band, and chamber idioms with equal facility. His works have reached audiences at Carnegie Hall, the Kennedy Center, Sydney Opera House, and Toronto Centre for the Arts, performed by ensembles ranging from professional orchestras to elementary school groups. He holds membership in the American Bandmasters Association and received the A. Austin Harding Award from the American School Band Directors Association. His composition Love and Light won the 2020 NBA William D. Revelli Composition Contest, and his music was performed during the 2013 Presidential Inaugural Prayer Service attended by President Obama and Vice President Biden.

Balmages served as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic. He maintains active guest conducting engagements with all-state ensembles, university groups, and professional orchestras internationally, with appearances at the Midwest Clinic, Western International Band Clinic, and numerous state and national music education conferences. Both James Madison University and the University of Miami have recognized his contributions to music education through distinguished alumni honors and commissioning opportunities.

Why we love this

Balmages crafts an immersive journey through Middle Eastern soundscapes without relying on pastiche or oversimplification. The work authentically incorporates traditional folk melodies and percussion textures while weaving in original material, giving players genuine musical substance rather than mere exotic window dressing. The shifting focus between melody and rhythm section makes it engaging for the entire ensemble while remaining musically coherent.

What to expect

The piece begins with an unsettling, mysterious atmosphere that gradually transforms into rhythmic energy and movement. You'll encounter shifting timbres and textures that feel both exotic and familiar, built on hypnotic patterns and soaring melodies that interweave naturally. The final section crystallizes everything into a powerful, celebratory statement that leaves the audience energized.

Who it's for

Grade 4 concert bands seeking repertoire that expands musical horizons without sacrificing technical accessibility. This work works equally well for festival competition, concert programming, or community performance contexts where ensembles want to showcase their range and musicality.

How to get the most out of it

  • Balance the Middle Eastern percussion instruments carefully in the opening and throughout the work; they should anchor the groove without overwhelming the melodic voices.
  • Shape the folk song "Ala Dal'ona" with clear phrasing and natural rubato to bring out its lyrical character before the orchestration thickens.
  • Let the third section breathe as a genuine percussion feature; this moment showcases different voices in the ensemble and builds anticipation for the return of the main theme.
  • Build intensity gradually through the final section so that the ostinato pattern feels inevitable rather than repetitive, climaxing with the full ensemble statement of the original theme.

How to use it

Pair this with your other Grade 4 concert band literature to demonstrate stylistic range within a single concert. The six-and-a-half minute duration and contest/festival designation make it ideal for spring programming when ensembles are preparing for adjudication. The dramatic arc and distinctive instrumentation make it a memorable centerpiece that holds audience attention without requiring musical sophistication to enjoy.

Skills your students will build

  • Balancing non-Western percussion instruments within the ensemble texture
  • Sustaining musical energy through rhythmic ostinati
  • Responding to tempo and dynamic shifts that drive the narrative arc
  • Reading and interpreting authentic Middle Eastern melodic contours and ornamentation
  • Ensemble blend across heterogeneous instrumentation

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