Arabesque, Op. 100, No. 2 Sheet Music Preview

Arabesque, Op. 100, No. 2: Very Easy Piano

By Friedrich Burgmuller

Item: 35-DS00302012

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00302012

More about this title

About the Composer: Friedrich Burgmuller

Friedrich Burgmuller (1806-1874) was an Austrian pianist and composer whose gift lay in understanding exactly what developing students needed. He spent much of his career in Paris, where he built a reputation not through virtuosic showpieces but through pedagogically sound character pieces that actually engaged young musicians. His 25 Progressive Studies and numerous collections of easy pieces became staples in music schools across Europe because they respected the learner's intelligence while building real technical foundation.

Burgmuller's work bridges the gap between pure etude writing and expressive musicianship. His pieces never feel like exercises in disguise; instead, they offer genuine musical experiences wrapped in accessible technical demands. For generations of piano teachers, his output has remained a trusted resource for that critical phase when students transition from beginner to intermediate study.

Why we love this

Burgmuller's arabesques occupy a sweet spot that's rare in early piano repertoire: they have enough character and sophistication to keep students engaged while remaining genuinely playable at the very easy level. The writing feels musical rather than mechanical, which means students actually want to practice it and can experience the satisfaction of performing something that sounds complete and intentional.

What to expect

Arabesque evokes refined elegance without pretension. The piece has a graceful, dance-like quality that invites the player to think beyond mechanics and discover the subtle musical conversation between melody and accompaniment. It's the kind of piece that makes students feel like real musicians.

Who it's for

This is ideal for early intermediate students (roughly RCM Level 2-3 or equivalent) who are ready to explore classical repertoire but need pieces that won't frustrate them with technical barriers. Teachers looking to introduce students to character pieces and expressive playing will find this both musically rewarding and achievable in a reasonable practice timeline.

How to get the most out of it

  • Shape the melodic line with gentle dynamic swells rather than playing at a single level throughout; this gives the piece breathing room and prevents it from sounding monotonous.
  • Let the ornaments (if present) flow naturally from the main melody without treating them as separate interruptions; they should feel like an integral part of the musical phrase.
  • Maintain consistent rhythmic clarity in the accompaniment while allowing the melody freedom to breathe and sing above it.
  • Listen to the harmonic progression as you practice; understanding where the piece cadences or modulates helps you shape each section purposefully.

How to use it

Include this in a student recital program featuring 19th-century salon music or as part of a classical mini-concert exploring composers beyond Bach and Mozart. It pairs well with other short character pieces and works beautifully as a contrasting piece on a mixed repertoire program featuring more contemporary work.

Skills your students will build

  • Controlling dynamics and phrasing in melodic lines
  • Playing at a very easy level while maintaining musical expression
  • Coordinating melody with consistent accompaniment patterns
  • Understanding classical period style and ornamentation

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