Arabesque in C Op.18 and Blumenstück Op.19 Cover Image

Arabesque in C Op.18 and Blumenstück Op.19: Piano Solo

$9.95 USD
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Arabesque in C Op.18 and Blumenstück Op.19 Cover Image
Arabesque in C Op.18 and Blumenstück Op.19: Piano Solo

Arabesque in C Op.18 and Blumenstück Op.19: Piano Solo

By Robert Schumann / Ed. Hans Joachim Köhler

Item: 98-EP9508
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Description
Urtext edition of Robert Schumann's Arabesque in C Op.18 and Blumenstück Op.19 for piano solo. Edited from sources by Hans Joachim Köhler.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 24
ISBN10: 0-014-10365-6
ISBN13: 979-0-014103-65-1
SKU: 98-EP9508

More about this title

About the Composer: Robert Schumann

Robert Schumann (1810–1856) stands among the nineteenth century's most influential composer-pianists, reshaping both instrumental music and song through his Romantic sensibility. His piano works balance technical virtuosity with intimate lyricism, often drawing inspiration from poetry, literature, and visual art. As both a composer and music critic, Schumann championed new music and left a legacy that fundamentally altered how pianists approached repertoire and interpretation.

Why we love this

These two paired character pieces showcase Schumann at his most accessible without sacrificing depth. The Arabesque's decorative title and flowing figurations appeal immediately to students, while the Blumenstück offers a more introspective counterpart, making this Urtext pairing an elegant programming choice that rewards thoughtful interpretation and invites discovery of Schumann's harmonic subtlety.

What to expect

The Arabesque floats on gossamer figuration, intimate and decorative, while the Blumenstück brings introspection and warmth, like a turn inward. Together they form a brief journey through different facets of Schumann's lyrical world, neither piece overstaying its welcome.

Who it's for

Intermediate to early advanced pianists seeking accessible Schumann repertoire that develops both technical security and musical sensitivity. This pairing works well for students ready to explore Romantic character pieces with harmonic substance beyond their surface elegance.

How to get the most out of it

  • Approach the Arabesque's ornamental passagework with clarity rather than rushing; allow the underlying melodic line to emerge through the embellishment so the piece breathes as song.
  • Shape the Blumenstück's gentle contours with careful dynamic control, avoiding excessive pedal that would cloud the delicate harmonic transitions between sections.
  • Use the Edition Peters editorial markings as starting points for your own musical choices rather than definitive answers; compare with other Urtext editions to develop interpretive independence.

How to use it

Pair these pieces on a recital to showcase contrasting moods within a single composer; the Arabesque's charm draws listeners in, while the Blumenstück deepens the emotional arc. Both fit comfortably in a nineteenth-century salon or a mixed-repertoire student recital without demanding an entire program to themselves.

Skills your students will build

  • Managing rapid figuration in the Arabesque while maintaining melodic clarity
  • Interpreting Romantic harmonic language and understanding voice-leading in Schumann's piano writing
  • Balancing decorative elements with structural shape across two contrasting forms
  • Pedaling subtly in works that demand tonal color without harmonic blur

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