Apres un Reve, Op. 7, No. 1 Cover Image

Apres un Reve, Op. 7, No. 1: Medium Voice, Orchestra Accompaniment, Condensed Score

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Apres un Reve, Op. 7, No. 1 Cover Image

Apres un Reve, Op. 7, No. 1: Medium Voice, Orchestra Accompaniment, Condensed Score

By Gabriel-Urbain Faure, ed./arr. by Henri Busser/ Anonymous Italian poem, translated to French by Romain Bussine

Item: 36-A400599

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Description
APRÈS UN RÊVE (AFTER A DREAM) was originally part of a collection of three songs, titled TROIS MÉLODIES Op. 7, written for voice and piano by Gabriel Fauré (1845-1924). While APRÈS UN RÊVE is No. 1 in the collection, it was actually written last, in 1877, while No. 2 (HYMNE) was written in 1870, and No. 3 (BARCAROLLE) was written in 1873. The text is taken from an anonymous Italian poem adapted into French by Romain Bussine. The poem describes the dream of a flight with a lover away from earth. Upon awakening, the dreamer longs to return to their dream. Henri Büsser made this arrangement for medium voice and orchestra. Instrumentation: 1.1.1.1: 1.0.0.0: Str (9.8.7.6.5 in set): Solo Mz or Bar.

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Additional Details
Series: Kalmus Vocal Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-895630-17-3
ISBN13: 979-8-895630-17-4
UPC: 659859145679
SKU: 36-A400599
Instrumentation: 1.1.1.1: 1.0.0.0: Str (9.8.7.6.5 in set): Solo Mz or Bar

More about this title

About the Composer: Gabriel-Urbain Faure

Gabriel Fauré (1845-1924) was a French composer whose gift for melody defined the art song tradition of the late 19th century. His vocal works, particularly his mélodie settings, remain cornerstones of the recital repertoire and demonstrate a mastery of text-painting and harmonic subtlety that influenced generations of composers who followed.

Why we love this

Après un Rêve appears simple on the surface, but Fauré's harmonic language rewards careful listening and reveals new colors with each rehearsal. The orchestral arrangement by Büsser transforms an intimate piano song into something that allows a soloist to sing with warmth and presence while the ensemble provides lush support, making this an ideal showpiece for a developing singer with clear diction and emotional depth.

What to expect

The music evokes a state of half-waking reverie. Fauré's melody floats gently above shimmering harmonies that suggest both the beauty of the dream and the melancholy of waking from it. The orchestration adds warmth and resonance without overwhelming the vocal line, creating an atmosphere of intimate reflection on a larger stage.

Who it's for

This arrangement suits medium voices (mezzo-soprano or baritone) who have developed solid technique and can sustain a lyrical line with security. It works well for singers preparing a recital or concert appearance, particularly those seeking a piece that sits comfortably in the middle voice and pairs well with French or Romantic-era repertoire.

How to get the most out of it

  • Shape the opening phrase with gentle forward motion; resist the urge to hold back or over-sustain, which can rob the melody of its natural contour and dreamlike quality.
  • Work closely with the orchestra during rehearsals to ensure the accompaniment stays responsive to your phrasing rather than metronomic, particularly through the middle section where the harmonic movement becomes more active.
  • Attend to the text intelligently so the French vowels feel natural and the poetic imagery (flight, awakening, longing) informs your emotional choices throughout.
  • Balance transparency in the quieter passages with the ability to sing through comfortably when the orchestra swells, avoiding the trap of becoming tentative simply because the texture is delicate.

How to use it

Program this as a centerpiece in a French song or Romantic vocal recital, or as part of a concert exploring the theme of dreams and longing. It pairs naturally with other Fauré songs or with early 20th-century French repertoire, and its relative familiarity to audiences makes it an excellent choice for a soloist's feature moment.

Skills your students will build

  • French text clarity and diction within sustained legit singing
  • Phrasing within Romantic harmonic language and understanding harmonic rhythm
  • Balance between vocal prominence and orchestral accompaniment
  • Interpretation of poetic meaning and translation of text imagery into musical expression
  • Breath management in longer-lined melody across a moderate range

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