Apache Braves: Piano
By Dennis Alexander
Level: Late Elementary
Item: 00-PS-0016206
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About the Composer: Dennis Alexander

Dennis Alexander has been composing educational piano music since joining Alfred Music Publishing in 1986, building a catalog of over 400 works that have established him as one of the most widely performed composers in piano pedagogy. He spent 24 years teaching piano pedagogy and applied piano at the University of Montana before relocating to California, where he served on the faculties of Cal State Fullerton and Cal State Northridge while maintaining a private teaching studio. His work as a collaborative artist has taken him across five continents; he has performed at Carnegie Recital Hall, conducted master classes at national conventions, judged international competitions, and toured throughout Southeast Asia and East Asia leading recitals and workshops.
Alexander's influence on music education extends beyond composition into mentorship and advocacy. He formerly chaired the Montana State Music Teachers Association and remains a sought-after clinician at state and national conferences. Numerous organizations have commissioned him to create works for specific educational contexts, reflecting the trust educators place in his understanding of student development. Based in Albuquerque, he continues an active composing and touring schedule focused on creating accessible, engaging music for students at every level.
Why we love this
Alexander writes with a keen ear for what late elementary students can accomplish when given material that genuinely excites them. The Native American dance idiom here gives students a cultural context that goes beyond typical scale patterns, while the rhythmic coordination work between hands and the keyboard geography build technical confidence without feeling like an etude.
What to expect
The piece captures the energy and character of a ceremonial dance, with open fifths providing a grounded, almost percussive foundation while the right hand carries the melodic narrative. Accidentals introduce subtle color shifts that keep the ear engaged, and the wide use of the keyboard creates a sense of movement and discovery across the instrument.
Who it's for
Late elementary pianists ready to explore ensemble and cultural contexts beyond classical traditions, and teachers seeking Festival Festivals repertoire that challenges coordination and spatial awareness without overwhelming early learners. The accessible technical demands make this ideal for students preparing for performance competitions or recitals in the intermediate-to-advanced late elementary range.
How to get the most out of it
- Shape the staccato left hand fifths with precision; they establish the rhythmic pulse and character of the piece, so clarity matters more than volume.
- Map out the keyboard geography during practice so wide jumps feel secure and intentional rather than hesitant.
- Balance the accent patterns across both hands to let the Native American idiom breathe; resist the urge to pound.
- Record yourself and listen back to the left-right coordination, especially in sections where rhythms diverge; this trains the ears as much as the hands.
How to use it
Include this in recitals or competitions where you want to showcase a student's growing independence and rhythmic maturity, or pair it with other contemporary or world music selections to demonstrate breadth of style. Its Federation Festivals pedigree makes it an ideal choice for students working toward festival participation or certification.
Skills your students will build
- Left-right hand rhythm independence and coordination
- Staccato articulation and control in the left hand
- Reading and playing accidentals in context
- Navigating wide keyboard spans with accuracy
- Interpreting dance-based stylistic phrasing