Anything Goes [Jazz version] (arr. Brent Edstrom): Piano Vocal

Brent Edstrom's jazz arrangement strips away the overture-and-tap-dance expectations many singers carry into this standard, revealing the song's genuine swing sensibility and harmonic sophistication. The four-page format is entirely singable in a rehearsal setting, making it accessible without sacrificing the jazz vocabulary that keeps performers engaged.

Breezy and clever, with an undercurrent of harmonic sophistication that keeps the ear engaged. The arrangement feels conversational rather than grand, inviting the kind of intimate performance that lets the lyrics shine.

Jazz singers preparing audition repertoire or looking for accessible Broadway standards with genuine harmonic interest. Piano students who want to expand beyond classical accompanimental work into jazz voicing and comping.

• Shape the melody with rubato in the verse sections; the jazz arrangement accommodates the relaxed phrasing that makes Porter's lyrics land with their full wit and timing.
• Balance vocal and piano lines so the accompaniment supports rather than competes. This is a partnership, not a spotlight-solo situation.
• Lean into the swing feel during the chorus, but resist rushing; Porter's chord changes need space to breathe and sound intentional.

Pair it with other Porter standards from the same era to create a jazz-focused vocal showcase, or program it as a palate cleanser between heavier contemporary art song or classical repertoire. Works equally well as a cabaret feature or a sophisticated pop-jazz concert opener.

• jazz phrasing and swing rhythm interpretation
• reading jazz chord voicings and comping patterns
• managing the technical demands of Porter's melodic leaps and intervallic writing
• coordinating vocalist and pianist for dynamic balance in a lead-sheet context