Any Way You Want It: Jazz Ensemble Conductor Score & Parts
By Neal Schon / By Steve Perry / As performed by Journey / Arranged by Paul Murtha
Grade: 2
Item: 35-PK00245726
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$45.00
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Description
Journey made this a hit in 1980 and the cast of Glee did it again in 2010. This solid arrangement is built on a driving 8th-note pulse and requires no solos. Sure to sound great with limited rehearsal time.
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Neal Schon founded Journey in 1973 as the band's guitarist and primary songwriter. His work across four decades established him as a key voice in arena rock, blending hard rock foundations with accessible melodies that reached millions. For music educators, Schon's catalog offers students a window into how rock composition balances technical guitar writing with vocal-friendly material that engages audiences.
Why we love this
Paul Murtha's arrangement strips away the need for featured soloists while keeping the energy intact, which means your ensemble can sound polished without waiting for students to develop advanced improvisational chops. The relentless 8th-note pulse creates groove from the first rehearsal, letting students feel like they're playing something contemporary and alive rather than learning a jazz standard.
What to expect
Propulsive and energetic. The steady 8th-note foundation gives the piece a modern, driving quality that feels contemporary even decades after the original, while the harmonic structure keeps things accessible rather than complex.
Who it's for
Jazz ensembles at the Grade 2 level that want a recognizable pop hit without the setup work of teaching improvisation. Directors working with mixed ability groups will appreciate that this arrangement lets younger or less experienced players contribute meaningfully to a complete arrangement.
How to get the most out of it
Keep the 8th-note pulse locked and even across the ensemble; this groove doesn't forgive dragging or rushing, so rehearse sections together before putting them into the full arrangement.
Balance the horn section against the rhythm section so the chart's momentum feels driven by both the drums and bass line equally, not buried under flashy voicings.
Work dynamics carefully in the quieter passages to maintain tension; this piece thrives on contrast between sparse sections and full ensemble hits.
How to use it
Place this early in a concert program where it can serve as a high-energy crowd pleaser and tonal contrast to more traditional jazz fare. It works equally well as a spring concert opener or as part of a pop/rock themed set that shows students' range beyond classical repertoire.
Skills your students will build
Playing as part of a functioning rhythm section without featured solos
Maintaining steady subdivision and groove over extended musical passages
Balancing individual parts within a dense ensemble texture
Reading and performing rock and pop idioms in a jazz ensemble context
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