Any Way You Want It Sheet Music Preview

Any Way You Want It: Jazz Ensemble Conductor Score & Parts

By Neal Schon / By Steve Perry / As performed by Journey / Arranged by Paul Murtha

Grade: 2

Item: 35-PK00245726

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Description
Journey made this a hit in 1980 and the cast of Glee did it again in 2010. This solid arrangement is built on a driving 8th-note pulse and requires no solos. Sure to sound great with limited rehearsal time.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00245726

More about this title

About the Composer: Neal Schon

Neal Schon founded Journey in 1973 as the band's guitarist and primary songwriter. His work across four decades established him as a key voice in arena rock, blending hard rock foundations with accessible melodies that reached millions. For music educators, Schon's catalog offers students a window into how rock composition balances technical guitar writing with vocal-friendly material that engages audiences.

Why we love this

Paul Murtha's arrangement strips away the need for featured soloists while keeping the energy intact, which means your ensemble can sound polished without waiting for students to develop advanced improvisational chops. The relentless 8th-note pulse creates groove from the first rehearsal, letting students feel like they're playing something contemporary and alive rather than learning a jazz standard.

What to expect

Propulsive and energetic. The steady 8th-note foundation gives the piece a modern, driving quality that feels contemporary even decades after the original, while the harmonic structure keeps things accessible rather than complex.

Who it's for

Jazz ensembles at the Grade 2 level that want a recognizable pop hit without the setup work of teaching improvisation. Directors working with mixed ability groups will appreciate that this arrangement lets younger or less experienced players contribute meaningfully to a complete arrangement.

How to get the most out of it

  • Keep the 8th-note pulse locked and even across the ensemble; this groove doesn't forgive dragging or rushing, so rehearse sections together before putting them into the full arrangement.
  • Balance the horn section against the rhythm section so the chart's momentum feels driven by both the drums and bass line equally, not buried under flashy voicings.
  • Work dynamics carefully in the quieter passages to maintain tension; this piece thrives on contrast between sparse sections and full ensemble hits.

How to use it

Place this early in a concert program where it can serve as a high-energy crowd pleaser and tonal contrast to more traditional jazz fare. It works equally well as a spring concert opener or as part of a pop/rock themed set that shows students' range beyond classical repertoire.

Skills your students will build

  • Playing as part of a functioning rhythm section without featured solos
  • Maintaining steady subdivision and groove over extended musical passages
  • Balancing individual parts within a dense ensemble texture
  • Reading and performing rock and pop idioms in a jazz ensemble context

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