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Anthology of Selected Pieces for Flute and Piano: Flute & Piano

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Anthology of Selected Pieces for Flute and Piano Cover Image

Anthology of Selected Pieces for Flute and Piano: Flute & Piano

10 Original Works and Arrangements

By Gabriel Fauré / arr. Roy Howat, ed. Roy Howat

Item: 98-EP7514

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-57-708158-6
ISBN13: 979-0-5770-8158-8
SKU: 98-EP7514

More about this title

About the Composer: Gabriel Fauré

Gabriel Fauré (1845, 1924) shaped French music for nearly fifty years as a composer, organist, and teacher. His harmonic language, chromatic, subtle, and emotionally restrained, offered an alternative to the dramatic excess of Romanticism and influenced generations of composers who came after him.

Why we love this

Fauré's flute writing sits in a graceful middle ground: lyrical enough to sing, refined in its harmonic palette, but never technically brutal. This anthology gathers pieces that reward careful listening from audiences while remaining accessible to intermediate-advanced players, making it a smart choice for recitals where you want music that feels genuinely composed rather than merely arranged.

What to expect

Intimate and conversational, with a dreamlike harmonic landscape that shifts subtly beneath a graceful melodic line. These pieces value restraint and emotional nuance over virtuosity; the beauty lives in small gestures and quiet harmonic turns.

Who it's for

Intermediate-advanced flute students ready to move beyond etude collections into genuine repertoire. Teachers who want to introduce students to late Romantic and early modern French aesthetics without requiring virtuosic technical display.

How to get the most out of it

  • Pay attention to Fauré's dynamic markings as structural signposts. He rarely flags a climax with ff; instead, a subtle shift from pp to p often carries the emotional weight.
  • Shape phrases around the harmonic rhythm rather than the melodic line alone. The piano part is essential to understanding where each phrase begins and breathes.
  • Lean into the French text-setting sensibility in these pieces. Even instrumental lines benefit from clear diction and a conversational sense of phrasing.
  • Balance transparency with sustain. Fauré's textures are delicate; let the flute carry without drowning the piano's harmonic coloring.

How to use it

Build a recital around these pieces to establish an evening's tone of elegance and introspection. Pair them with contemporary French composers (Debussy, Saint-Saëns) or use them as a bridge between the Romantic and twentieth-century repertoire in a chronological program.

Skills your students will build

  • Phrasing across longer harmonic progressions rather than melodic contours alone
  • Listening to and balancing against a sophisticated piano accompaniment
  • Interpretation of French vocal aesthetics in instrumental writing
  • Subtlety in dynamic and timbral control at soft to moderate volumes

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