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Anthology of American Piano Music: Piano Comb Bound Book

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Anthology of American Piano Music Cover Image

Anthology of American Piano Music: Piano Comb Bound Book

Intermediate to Early Advanced Works by 31 Composers

Ed. Maurice Hinson

Level: Intermediate / Early Advanced

Item: 00-34655

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Description
This 212-page collection focuses on the varied styles and ethnic influences found in American piano music over the last two and a quarter centuries. Historical and biographical background, performance notes, and suggested realizations of ornaments are provided by Dr. Hinson. TItles: 12th Street Rag (Bowman) * All That Meat and No Potatoes (Waller) * Barcarolle, Op. 28, No. 1 (Beach) * Battle of Manassas (Wiggins) * Bethena (A Concert Waltz) (Joplin) * Blue Moon (Rodgers) * Blue Rondo a la Turk (Brubeck) * Boogie Woogie Etude (Gould) * The Cat and the Mouse ("Scherzo Humoristique") (Copland) * Columbia (Caprice Americaine on "My Old Kentucky Home") (Gottschalk) * Dizzy Fingers (Confrey) * Do Nothin' Till You Hear from Me (Ellington) * Don't Get Around Much Anymore (Ellington) * The Duke and the Count (Williams) * Eager Beaver (Kenton) * Euphonic Sounds (A Syncopated Two Step) (Joplin) * Fiddle-Faddle (Anderson) * In a Mist (Beiderbecke) * Jazz Pizzicato (Anderson) * The Jitterbug Waltz (Waller) * Juba (Dett) * Kitten on the Keys (Confrey) * The Lake at Evening, Op. 5, No. 1 (Griffes) * Laura (Mercer/Raksin) * Love Song (Barber) * The Man I Love (Gershwin) * March Wind, Op. 46, No. 10 (MacDowell) * Medley---Campfire on the Ice (Finney) * Narcissus, Op. 14, No. 4 (Nevin) * Nola (Arndt) * Old Folks at Home (Way Down Upon the Swanee River) (Foster) * On Bended Knees (Burleigh) * Over the Rainbow (Arlen/Harburg) * Pavanne (Gould) * Prelude (Novelette in Fourths) (Gershwin) * Prelude II (Blue Lullaby) (Gershwin) * Sleigh Ride (Anderson) * Swanee (Gershwin) * The Syncopated Clock (Anderson) * Tiger Rag (Original Dixieland Jazz Band) * Variations on Adeste Fideles (Taylor) * Yankee Doodle (Arranged as a Rondo) (Carr). The comb binding creates a lay-flat book that is perfect for study and performance. "Barcarolle, Op. 28, No. 1" and "Boogie Woogie Etude" are Federation Festivals 2016-2020 selections.

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Additional Details
Series: Alfred Masterwork Edition
Publisher: Alfred Music
Page Count: 212
ISBN10: 0-7390-6879-2
ISBN13: 978-0-7390-6879-3
UPC: 038081387383
SKU: 00-34655

More about this title

About the Creator: Dr. Hinson (Editor)

Dr. Hinson is a distinguished pianist, composer, and music scholar whose contributions to piano pedagogy and music history have shaped how generations of musicians understand classical and contemporary repertoire. His extensive research into American musical traditions and his meticulous annotations have made complex works accessible to students and professionals alike.

Why we love this

This collection captures the genuine diversity of American piano writing across genres, decades, and stylistic worlds. Rather than treating American music as a single category, the anthology honors the distinct voices of ragtime composers, concert hall romantics, jazz innovators, and musical theater craftsmen. Hinson's performance notes and historical context transform the book from a compilation into a guided exploration of how American composers claimed the piano as their own instrument.

What to expect

This book moves between worlds: the elegant drawing rooms of Beach and Barber, the syncopated energy of ragtime and stride piano, the sophisticated modernism of Copland and Gershwin, and the infectious swing of jazz arrangers. Each piece carries its own regional flavor and historical moment, yet together they reveal a musical culture far richer and more varied than many pianists encounter in standard repertoire.

Who it's for

Intermediate to early advanced pianists building a foundation in American repertoire, studio teachers seeking diverse material that reflects the full range of the American piano tradition, and concert pianists exploring recital programs that celebrate homegrown composition.

How to get the most out of it

  • Consult Hinson's suggested realizations of ornaments before deciding on your own interpretations; his historical research often clarifies period conventions that differ from standard practice.
  • Read the biographical and historical notes before the first rehearsal to understand each composer's context; this background shapes phrasing, tempo choices, and stylistic details.
  • Study pieces from different traditions back-to-back (a Scott Joplin rag followed by a Beach barcarolle, for example) to sharpen your ability to shift between idioms.
  • Approach rhythmic complexity in jazz and syncopated works as notated precisely; these pieces demand accuracy before stylistic freedom.

How to use it

Program selections from this collection to create a recital with genuine American identity, mixing styles and eras to demonstrate how pianists shaped the instrument across multiple traditions. Use individual pieces to supplement studio lessons when students are ready to explore repertoire beyond European classics. Assign shorter pieces as sight-reading or technique studies tied to specific musical periods.

Skills your students will build

  • Stylistic awareness across American musical traditions (ragtime, concert music, jazz, musical theater, modernism)
  • Ornament realization and interpretation in both classical and popular idioms
  • Rhythmic precision in syncopated and swing-based writing
  • Historical context as a tool for interpretive decision-making
  • Fingering strategies and hand independence required by stride piano and syncopated passages
  • Pedal control across contrasting textures and harmonic densities

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