Anthem (from Chess): Concert Band Conductor Score & Parts
By Tim Rice / By Bjorn Ulvaeus / By Benny Andersson / Arranged by Sean O'Loughlin
Grade: 3
Item: 35-PK00226939
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More about this title
About the Composer: Tim Rice
Tim Rice stands as one of the most successful lyricists in musical theater history. His collaborations with Andrew Lloyd Webber on "Evita" and "Jesus Christ Superstar" transformed the landscape of contemporary musical drama, while his work with ABBA on "Chess" proved his versatility across genres and styles.
Rice's gift for crafting lyrics that resonate emotionally while serving the dramatic arc of a story has made his work accessible to music educators at every level. His influence extends far beyond Broadway into film, concert halls, and educational settings where his music continues to engage students and audiences alike.
Why we love this
This arrangement delivers Broadway sophistication without requiring your ensemble to navigate excessive complexity. Sean O'Loughlin has preserved the emotional core of "Anthem" while creating natural voice leading that lets younger players contribute meaningfully to a piece that actually sounds substantial in performance.
What to expect
The piece opens with quiet introspection before gradually widening into something larger and more affirming. You hear the familiar melody from the musical, but the band arrangement gives it space to breathe and allows instrumental colors to deepen the emotional texture throughout.
Who it's for
Grade 3 bands with solid fundamentals and the ability to execute sustained dynamics across longer phrases. This works particularly well for groups developing their sense of musical phrasing and those ready to program contemporary music that resonates with concert audiences of all ages.
How to get the most out of it
- Establish the tempo as a reflection of the song's contemplative opening. Resist the urge to rush; the power of this piece lives in its sustained phrases and long melodic lines.
- Balance the melody across your woodwind and brass sections so the tune remains clear even when multiple voices carry it. The arrangement will shift the lead throughout, so rehearse the handoffs explicitly.
- Shape dynamics as a journey rather than hitting climaxes abruptly. The piece builds gradually toward its final statement; even small crescendos need space to breathe before the next one begins.
- Let your mallet percussion color the harmonic palette, especially in the middle section. These voices support the emotional landscape without overwhelming it.
How to use it
Program this as a bridge between classical and contemporary repertoire in a spring or pops concert. Its three minute duration makes it an ideal anchor piece for a thematic program centered on musical theater, or consider pairing it with similar contemporary arrangements to demonstrate how well-known songs translate to the concert band medium.
Skills your students will build
- Sustaining dynamic control over multi-measure phrases
- Following melodic independence when the tune moves between sections
- Blending with different instrumental families as the arrangement shifts the lead
- Maintaining ensemble cohesion through tempo and rhythmic precision
- Interpreting contemporary harmonic language in a Broadway context