Anthem Sheet Music Preview

Anthem: SATB Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00413764

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00413764

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw brings decades of choral expertise earned through work across North America, Australia, and Europe. He holds degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington. His teaching style combines rigorous musical training with genuine humor, creating an environment where singers thrive both technically and artistically.

As a prolific composer and arranger with over 2,500 works in print, Shaw has shaped choral music education through his own creations and through directing innovative programs at the College of the Siskiyous, Colorado State University, University of Missouri at Kansas City, and now Southern Oregon University. His vocal jazz ensembles have earned national recognition, and his arrangements have sold nearly 20 million copies worldwide. He has also collaborated with masters like Bobby McFerrin and Al Jarreau, and received multiple ASCAP awards for his creative contributions to the field.

Why we love this

Shaw's touch transforms inspirational material into something singers genuinely want to perform. His understanding of voice and how to blend four parts creates arrangements that sit comfortably while still sounding rich and intentional.

What to expect

The arrangement opens with quiet dignity, building toward affirmation and hope. Voices interweave with purpose, creating moments of luminous beauty punctuated by statements of conviction. This is music that sits in the chest as much as it floats in the air.

Who it's for

SATB choirs seeking repertoire that uplifts without oversimplifying. This works for community choirs, church ensembles, and high school or college groups looking to add meaning to a concert without sacrificing musicality.

How to get the most out of it

  • Balance the sopranos and altos carefully in the opening phrases so the melody doesn't overshadow the harmonic support underneath.
  • Mark your breath points during rehearsal and honor them consistently; this arrangement rewards good phrase architecture.
  • Layer in the dynamics gradually during final rehearsals rather than all at once, letting singers discover where the emotional peaks naturally occur.
  • Consider the acoustics of your venue when balancing the four voices; a more resonant space may require slightly lighter soprano writing than a dry hall.

How to use it

Pair this as a powerful finale to a concert with mixed repertoire, or use it to close an all-inspirational program with grace. The 11 pages give you breathing room in rehearsal without demanding an unreasonable time commitment from your singers.

Skills your students will build

  • Blend and balance across four distinct voice parts
  • Phrase shaping in sustained, lyrical writing
  • Dynamic control from soft to full voice
  • Part independence while maintaining harmonic cohesion

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