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Ante Meridian: String Orchestra Conductor Score

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Ante Meridian Cover Image

Ante Meridian: String Orchestra Conductor Score

By Todd Parrish

Grade: 2.5

Item: 00-47466S

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Description
Inspired by a painting of the same name, this engaging work by Todd Parrish features memorable rhythmic patterns of sixteenth notes, flat-key fingerings, and varied articulations. The original painting evokes the awesome, eternal nature of the sea that could occur on any given morning. Imagine crashing waves!

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 12
ISBN10: 1-4706-5455-5
ISBN13: 978-1-4706-5455-9
UPC: 038081544779
SKU: 00-47466S

More about this title

About the Composer: Todd Parrish

Todd Parrish

Todd Parrish brings two decades of orchestra teaching experience across Illinois, Virginia, and Florida to his compositions and arrangements for young musicians. He holds a Bachelor of Music Education from ORU in Tulsa, where he studied violin and piano, and a Master of Music in Orchestral Conducting from the University of Arizona, where he worked with conductor Jindong Cai and studied string quartet and violin with faculty members Nancy Green and Bonnie Terry.

Now based in Orlando, Florida, Parrish serves as orchestra editor for Carl Fischer Music and string editor for Wingert-Jones Publications. He has published over forty original works and arrangements with major publishers including Alfred Music, Wingert-Jones, and Carl Fischer. His compositions grow directly from his daily work with school orchestras, and he remains active as a guest conductor and clinician.

Why we love this

Parrish captures something genuinely visual in this score: the painting's connection to the sea translates into rhythmic energy and articulative color that keeps players engaged without overwhelming them. At Grade 2.5, the technical demands feel substantial (sixteenth-note patterns and flat-key work) while the material stays within reach, making students feel accomplished rather than frustrated. The balance between memorable melodic content and the craft of orchestration makes this a solid choice for both concert and festival programming.

What to expect

The energy of morning ocean swells lives in the rhythmic drive of this piece. Sixteenth-note patterns pulse like waves building momentum, while articulation choices create texture that shifts between crisp and flowing, evoking both the power and the fluid grace of water.

Who it's for

This conductor score is designed for directors working with intermediate string orchestras who want repertoire that balances technical growth with musical engagement. Students at this level benefit from the rhythmic challenges and the exposure to varied articulations, while directors appreciate material that programs well at both concerts and festivals.

How to get the most out of it

  • Shape the sixteenth-note figures with consistent articulation from section to section. Work for clarity rather than speed; let the rhythmic patterns speak even at moderate tempos.
  • Use the flat-key fingerings as an opportunity to reinforce intonation habits. Have upper strings demonstrate their approach to naturals and flats in passage work.
  • Bring out the varied articulations as a textural element. Mark staccato and legato sections clearly in parts so students understand how articulation changes the character of a phrase.
  • Consider the painting as rehearsal motivation. Asking students what 'crashing waves' sound like in their section can unlock expression that goes beyond the printed notes.

How to use it

Program this as a standalone feature or pair it with quieter string repertoire to create dynamic contrast in a concert. The concert and festival designation makes it equally strong for either context, and at twelve pages it fits comfortably into a mixed program without requiring intermission.

Skills your students will build

  • Reading and executing rhythmic patterns with sixteenth notes in varied contexts
  • Intonation in flat keys with attention to natural accidentals
  • Articulation control and the ability to shift between staccato and legato
  • Sectional independence while maintaining ensemble cohesion
  • Musical interpretation through visual imagery and expressive phrasing

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