Anniversary Songbook: 14 Songs (Medium/Low Voice) [incl. CD] Cover Image

Anniversary Songbook: 14 Songs (Medium/Low Voice) [incl. CD]: Voice & Piano Album

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Anniversary Songbook: 14 Songs (Medium/Low Voice) [incl. CD] Cover Image

Anniversary Songbook: 14 Songs (Medium/Low Voice) [incl. CD]: Voice & Piano Album

CD with Piano Acc.

By Clara Schumann

Item: 98-EP11570B

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Description
Clara Schumann (née Wieck) was undoubtedly the most important female pianist of the 19th century. As a young child she toured Europe as a prodigy: her entire career as a celebrated piano virtuoso spanned more than 60 years. Equally important, but less well known, is the composer Clara Schumann, who published her Opus 1 at the age of eleven. Despite the domestic duties expected of a woman at that time, she created numerous outstanding piano works and songs that are at least the equal of those of her male contemporaries. However, society at that time did not allow women to be regarded as fully-fledged composers or for their works to be appreciated adequately.

To help give this important composer the recognition she deserves, Edition Peters, in collaboration with the Schumann-Haus Leipzig, is now, on the occasion of her 200th birthday, publishing this Anniversary Songbook for Medium-Low Voice. The 14 songs, representing the pinnacle of Clara's art, were composed mainly in the period after her marriage in Leipzig to Robert Schumann - who was her greatest champion.

This volume includes:

  • new practical editions of 14 of Clara Schumann's greatest songs
  • introductions to each song, written by Frances Falling, Schumann-Haus Leipzig
  • new English translations of the song lyrics
  • a CD containing recordings of the piano accompaniments

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-01-413332-6
ISBN13: 979-0-0141-3332-0
SKU: 98-EP11570B

More about this title

About the Composer: Clara Schumann

Clara Schumann stands as one of the nineteenth century's most formidable musicians, yet her legacy has been persistently overshadowed by the men around her. A virtuoso pianist who toured Europe as a child prodigy and maintained a performing career spanning over six decades, she possessed technical mastery that few could match. Her compositional voice emerged equally early; she published her first work at eleven and continued creating significant piano works and art songs throughout her life, works that rivaled those of her celebrated contemporaries.

The cultural constraints on women composers of her era meant that Clara's achievements received less recognition and serious study than they deserved, even as she supported and championed the work of her husband, Robert Schumann. Today, her songs stand as eloquent testimony to her skill with melody, harmony, and text setting. She understood the voice intimately and crafted accompaniments that were both poetically responsive and pianistically sophisticated.

Why we love this

This collection captures the artistry of a composer whose voice deserves centered attention in your program. The selections span Clara's most refined work, and the included contextual essays provide the kind of historical grounding that deepens both singers' and audiences' engagement. Pairing these songs with works by her husband or her contemporaries creates a conversation about nineteenth-century song aesthetics while validating Clara's stature as a first-rate composer.

What to expect

These songs breathe with the intimate lyricism and harmonic sophistication of the German Romantic tradition. Clara's accompaniments unfold with restraint and elegance, creating space for the voice while weaving their own poetic commentary; the overall effect is one of emotional directness and musical refinement rather than theatrical grandeur.

Who it's for

This songbook serves singers working at intermediate levels and above, from advanced high school vocalists through amateur and professional singers seeking to expand their understanding of art song literature. It also works well for voice teachers building a curriculum that prioritizes women composers and wants authoritative, well-edited texts.

How to get the most out of it

  • Study the provided essays before rehearsal; they offer interpretive insights that shape phrasing and emotional architecture in ways that score markings alone cannot convey.
  • Balance the voice with the piano part, which often carries thematic material and emotional weight equal to the vocal line rather than merely accompanying it.
  • Explore the new English translations carefully, as they preserve the poetic nuance of the original German while allowing for natural English diction and breath placement.
  • Use the CD accompaniments strategically during rehearsal to establish tempo and style, but reserve time for working directly with an accompanist to refine interpretive details.

How to use it

Consider programming a group of these songs as a thematic set celebrating women composers, or weave individual selections into a concert exploring the German lied tradition alongside works by Schumann, Mendelssohn, and Brahms. They also serve well as centerpieces for educational concerts where you can present the historical context and let the music speak to questions of artistic recognition and voice.

Skills your students will build

  • Interpreting poetic text in German with authentic diction and phrasing
  • Collaborating with a pianist to shape musical storytelling across an entire song cycle
  • Understanding song form and harmonic language of the mid-nineteenth-century lied
  • Balancing vocal expression with instrumental context when the piano carries significant thematic material
  • Performing with stylistic awareness informed by historical and biographical research

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