Anitra's Dance Cover Image

Anitra's Dance: Brass Choir Score & Parts

$30.00 USD
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Anitra's Dance Cover Image

Anitra's Dance: Brass Choir Score & Parts

From Peer Gynt Suite No. 1

By Edvard Grieg / arr. David Marlatt

Item: 81-BC222140

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Description
Anitra's Dance arranged by David Marlatt for brass choir, has a playful melody that is found in the trumpet, horn, and euphonium parts. Using a combination of cup and straight mutes, this piece is colorful and rhythmically interesting.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-902-1
ISBN13: 978-1-77157-902-5
UPC: 685462029037
SKU: 81-BC222140
Instrumentation: Brass Choir

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843-1907) was a Norwegian composer who elevated Scandinavian music to the concert hall stage. His gift for melody and harmonic color made him one of the most performed composers of the Romantic era, and his works remain central to music education because they balance accessibility with genuine artistic substance.

Greig drew deeply from Norwegian folk traditions, which infuse even his most famous concert pieces with character and warmth. For brass educators, his music offers rich opportunities to explore expressive phrasing, tonal color, and the relationship between melody and harmony. Anitra's Dance, from the incidental music to Peer Gynt, exemplifies his gift for creating instantly memorable material that students find both rewarding and musically substantial.

Why we love this

Marlatt's arrangement captures the lightness and wit of Grieg's original while making genuine use of the brass choir's tonal palette. The strategic deployment of mutes and the distribution of melody across trumpet, horn, and euphonium create a piece that sounds richer and more colorful than many original brass compositions at this level. It's the kind of arrangement that reminds students why classical music became classical in the first place.

What to expect

Anitra's Dance dances. There's a lightness and playfulness in the melody that the mute colors enhance, creating an almost impressionistic quality despite the Classical era origin. The rhythmic interest keeps the listener engaged without ever feeling heavy or overly complicated.

Who it's for

Brass choirs at the intermediate to advanced high school level and beyond will find this both playful and musically satisfying. Directors looking to add a Romantic masterwork to their programs without programming a full orchestra transcription will appreciate how well Marlatt's writing sits in the brass choir idiom.

How to get the most out of it

  • Balance the muted passages carefully; cup mutes require more air support than players often expect, and the softer dynamic can obscure rhythmic clarity if the section doesn't lock together.
  • Shape the melody line across the three instruments that carry it. Think of trumpet, horn, and euphonium as a single voice that passes the tune between them, maintaining consistent phrasing and vibrato from one instrument to the next.
  • Let the rhythmic interest breathe. This piece doesn't rush; give the syncopation room to land without losing the forward motion.

How to use it

This works beautifully as a lighter companion piece to more substantial brass choir repertoire, or as a bridge between your contemporary works and the classical tradition. It also makes an excellent opener for a concert, establishing a warm, approachable tone before moving into weightier material.

Skills your students will build

  • Tone production with cup mutes and straight mutes
  • Phrasing across multiple instruments carrying a shared melody line
  • Rhythmic precision in syncopated passages
  • Balance and blend in muted sections
  • Understanding of Classical-era melody and harmonic language

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